Having grown up in an ever-changing industrial Detroit, Philip Levine believes that his poetry comes from an urge to memorialize details that might otherwise be lost.*Please note: some sections have been edited out from the original recording due to copyright considerations 

At a young age, Peter Glossop knew that all he ever wanted to be was an opera singer. Glossop said with opera, there's the best of two worlds, both singing and acting. Verdi was a favorite, Glossop explained, as Verdi had written great roles for baritone singers. Sarah Caldwell was very good at playing music at a young age. She also loved the theatre. To her, it was a logical step to direct operas. Caldwell explained that her job as the director is to hold the audiences' attention and to make the piece real, to convey the playwright's message.

American author and screenwriter Peter Feibleman discusses his friendship with Lillian Hellman and the memoir he wrote about her life called “Lilly: Reminiscences of Lillian Hellman.” Includes an interview with Lillian Hellman. Includes a 30 second test tone.

Interviewing writer and director Peter Bogdanovich about his film “The Last Picture Show.” The second part of the program, “A panel of producers and directors discusses education in film,” will begin at 44:45.

Drugs, painkillers, football contracts, and survival are all covered in Pete Gent's book, "North Dallas Forty." Gent said the business of football meant players would take painkillers and abuse their bodies with drugs all in order to do whatever was necessary to win a game. An excerpt of an interview with George Allen is included.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Studs speaks to actress Peggy Nelson, playwright Arnaud d'Usseau, and student Olivier Bernier while he is in France. [Part 2 includes Yves Montand.]

A panel at University of Chicago Law School discuss ending capital punishment (tapes A and B) and with Dick Gregory (tape C). Includes presentations from Hans W. Mattick and Arthur Wineberg. (Part 1 of 3)

Madame B. translates for Studs as he speaks with two inmates. Both inmates work in the prison one as a cook and the other as a librarian. Studs talks to each of the inmates about their early life, their work in the prison and their rehabilitation. Madame B is interviewed after the visit to the prison, and she speaks about her volunteer work at the prison. Following the interview, there is a postscript in which Madame B. records "notes" for Nelson Algren and Herman and Mrs. Kogan. Once he is on his own, Studs explains that Madame B.

Studs tours the prison and speaks with prison director Jean Blayrat and a lady referred to as Madame B translates. They talk about the crimes of the a few of the prisoners and the rehabilitation programs the prison system uses in France.

Reflections on the career of actor, drama teacher, WFMT announcer, and former member of The Compass Players.*Please note: some sections have been edited out from the original recording due to copyright considerations

Folk singer Odetta joins Studs to talk about her life and music, including her songs "Riding in My Car (Car Song)," "Gallows Pole," and "Sometimes I Feel Like a Motherless Child," among others.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Ntozake Shange discusses her play, "for colored girls who have considered suicide / when the rainbow is enuf." She goes on to discuss her advocacy for more Black authors and poets, especially in experimental artistic endeavors.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Nora Ephron discusses the women’s movement and her book, “Crazy Salad: Some Things About Women.” Ephron discusses the influence of writer Dorothy Parker on her work, as well as topics including women’s rights; the exploitation of women in politics, war, and advertising; the many conflicts she faces in her role as a journalist; and traditional and non-traditional gender roles. Includes an excerpt from a previous interview with Dorothy Parker.

Through his interpreter, the well-known and handsome Bulgarian opera singer, Nicolai Ghiaurov, talks about his profession. At the age of five, he sang a song for his family and it was then when others around him realized his talent. Ghiaurov had first wanted to be an actor. "Don Giovanni," was one of Ghiaurov's favorite roles to play with his acting and interpretation of Mozart's music.