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At a young age, Peter Glossop knew that all he ever wanted to be was an opera singer. Glossop said with opera, there's the best of two worlds, both singing and acting. Verdi was a favorite, Glossop explained, as Verdi had written great roles for baritone singers. Sarah Caldwell was very good at playing music at a young age. She also loved the theatre. To her, it was a logical step to direct operas. Caldwell explained that her job as the director is to hold the audiences' attention and to make the piece real, to convey the playwright's message.
Through his interpreter, the well-known and handsome Bulgarian opera singer, Nicolai Ghiaurov, talks about his profession. At the age of five, he sang a song for his family and it was then when others around him realized his talent. Ghiaurov had first wanted to be an actor. "Don Giovanni," was one of Ghiaurov's favorite roles to play with his acting and interpretation of Mozart's music.
When the announcement was made, to let the audience know the opera singer they came to see would not be performing but that Martina Arroyo would be singing the part of Aida, Arroyo recalls that you could hear the crowd groan all the way in Chicago. Arroyo talks about singing in the operas. She also talks about even though she may have a starring role in the opera, the show is not hers, but rather everyone in the company works hard to put out a good production.
When the announcement was made, to let the audience know the opera singer they came to see would not be performing but that Martina Arroyo would be singing the part of Aida, Arroyo recalls that you could hear the crowd groan all the way in Chicago. Arroyo talks about singing in the operas. She also talks about even though she may have a starring role in the opera, the show is not hers, but rather everyone in the company works hard to put out a good production.
Leonard Bernstein discusses his career as a composer along with his thoughts on American culture, musical theater, Black music, classical music, and education; music is played throughout the program including songs from Marc Blitzstein's play "The Cradle Will Rock."
Musicians Jerry Fuller, Jeff Bradetich, and Judi Bradetich discuss their careers and recently released works such as Fuller's Songs, Dances and Fantasy, and Bradetich's latest work, Broadway for All the Hear. Pieces from both of these works are performed during the interview, including Broadway pieces from Cabaret, West Side Story, and music highlighting the double bass's sounds.
Jan Eaglen, British soprano, discusses her career as an opera singer and trends in opera music.
Donald Luce had been living & helping the people of South Vietnam through the International Voluntary Service. Luce believed it was important to come back to the states to talk about the problems in Vietnam. Luce said the Vietnamese government could not provide its people waste disposal, electricity and running water. Luce went to Congress to voice his concerns. It was at the State Department who didn't seem to care all to much.
Music director and contemporary conductor of the Brno Orchestra, Grammy winner, and pianist Dennis Russell Davies discusses his innovative techniques when conducting pieces by musicians such as Philip Glass and his work with music fusion.
Cathy Berberian reflects on the evolution of her avant-garde singing style and her work with various contemporary music composers. Includes an interview with John Cage. Content Warning: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.
Bill Russo talks about the commedia dell'arte production being staged at the Center for New Music at Columbia College Chicago. The production includes two pieces, "Pedrolino's Revenge" and "Isabella's Fortune".
Composer and Pulitzer Prize winner for music Anthony Davis discusses his latest work focusing on the topic of the life and assassination of Malcolm X.