Claudia Cassidy discusses being a critic of theater and opera etc. Cassidy also discusses her writing and journalism aspirations.

Conductor Christopher Keene and composer Gian-Carlo Menotti discuss how they became aware of each other and meeting to discuss a collaboration. They talk about spending time in Spoleto, Italy for the Festival of Two Worlds, a summer music and opera festival created by Gian Carlo Menotti. The two also discuss creating art in all forms, including music. Music is played to start and to end: "To This We've Come" sung by Eileen Farrell from Menotti's opera "The Consul" and the allegro from Menotti's "Piano Concerto", with Earl Wild as the pianist.

Conductor Christopher Keene and composer Gian-Carlo Menotti dscuss the major themes of the opera"Tamu-Tamu", other opera performances, and the kind of work that goes into creating these works. Recordings are played during the interview: "Aria", sung by Eileen Farrell from the opera "The Consul", "Gloria" sung by an ensemble from the opera "The Saint of Bleecker Street", and "Have You Seen a Child" sung by an ensemble from the opera "Ahmal and the Night Visitors". Music has been removed for copyright reasons. This also includes part of an earlier recorded interview with both subjects.

Studs Terkel interviews opera singers, Carol Neblett and Richard Stillwell, as members appearing in the Lyric Opera production of "Don Giovanni". They discuss their characters, Elvira and Don. Carol Neblett and Richard Stillwell discuss their careers.

Interviewing soprano Barbara Daniels.

Composer and Pulitzer Prize winner for music Anthony Davis discusses his latest work focusing on the topic of the life and assassination of Malcolm X.

Anna Moffo discusses her career as an opera singer, opera composers, and opera music.

Studs interviews Alan Stone, Steven Larson, and Judith Erickson about the opera, "Regina," playing at the Chicago Opera Theater. They describe the variety of music and dances in the opera. Stone, Larson, and Erickson name the cast and their roles and describe the characters. Each share how they came to be in theater. Stone explains how the company started. Larson describes the orchestra and the chorus. Erickson reads some of the lyrics of the aria, "The Best Thing of All," at the end of act one. Stone, Larson, and Erickson read various lines from the opera.