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Richard Florsheim discusses the relationship between artists and museums, the role of art institutions, and the commodification of contemporary art.
Richard Demarco discusses the importance of riding the art experience of snobbery and the importance of art as relevant to everyone. In addition, Richard speaks on the work of Jimmy Boyle, convicted criminal turned successful artist. Demarco prompts the question: "Is art the language that transcends philosophy?"
Representatives discuss the Center for Human Understanding (part 2 of 2). Center for Human Understanding conference in Washington D.C. Includes interview with [Raghav Heer]. Interviews [Chaumont Hosie]. Note: lengthy interviews in French (translated).
Ray Patlaw and Mark Rogovin discuss mural art and the community engagement surrounding this artform. This program includes an audio clip of passers by commenting on the 1967 unveiling of Pablo Picasso’s Chicago sculpture and what they think it represents and the conversations it is meant to evoke. Studs reads Pete Seeger's introduction from Mark Rogovin, Marie Burton, and Holly Highfill’s book “Mural manual: How to paint murals for the classroom, community center, and street corner.”
Progress, computers and technology may be good for some people, however, printers John Kailen, Gerri Scott, Russ Wadleigh and Hank Orttinger don't see it that way. As members of typographical unions, they have a skilled trade, and their trade and jobs are being threatened by computers. Some felt their livelihoods were stabbed in the back by the computer.
Writer Paul Theroux discusses his book “Picture Palace” and the meaning of a photograph with Studs Terkel. Both Theroux and Terkel read excerpts from Theroux’s book, and an audio clip of a photographer discussing what photography means to them is played.
Discussing American photographer Diane Arbus (the first American photographer to have photographs displayed at the Venice Biennale) with Patricia Bosworth, author of Diane Arbus: A Biography, published in 1985.
Discussing architecture with Chicago architects Oswald Grube, Harry Weese and Don Klimovich.
Misch Kohn (from the state of Indiana, son of Russian immigrants) talks about his upcoming exhibition that traveled all around the country in which artwork such as "Season in hell", "My Grandfather's Mustache", "General", "Three Generals" among others. Talks about his creative process and what is the outlook of the state of visual arts.
According to Ramona Lampell, Appalachia is often associated with hillbilles and poor people. The Lampells wanted to change that stereotype with their book, "O, Appalachia: Artists of the Southern Mountains". By showing off the work of 20 artists', the Lampells hope the people of Appalachia feel good about themselves and where they come from.
After having received the Caldecott Medal for "Where the Wild Things Are," Maurice Sendak knew he had to do a different kind of book. Sendak recalled his trips to Brooklyn as a child and how going out to eat was a huge treat. From there, Sendak's book, "Night Kitchen," was born.
In Mary Lynn Kotz's book, "Rauschenberg, Art and Life," Kotz recounts the works and story of 20th century art pioneer Robert Rauschenberg. They survey his career beginning in Port Arthur, TX, discussing his Depression-era upbringing which caused him to reuse and salvage virtually any object and transform it into art, his studies in Paris, made possible by the G.I.
Marcel Marceau, a French mime, discusses the art behind mime including silence, humanity, and astonishment. Parts of an earlier interview with Marceau are also played.