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Showing 1 - 5 of 5 results
  • Sylvia Syms discusses her career as a singer and those that have influenced her

    Nov. 24, 1976

    Studs interview with Sylvia Syms about her career through the years and the people who influenced her. They discuss Jazz music and composers who Syms calls poets. The music numbers are removed from this edited version.

  • Ned Rorem discusses his career as a composer and his memoir "An Absolute Gift"

    Nov. 20, 1980

    Studs interviews Ned Rorem about his work and book "An Absolute Gift." Rorem discusses his work and how his Quaker background has influenced his work. He reflects on poets and other composers. Rorem shares the people and events that have influenced him and the arts. The musical recordings are not included in this edited version of the original.

  • George Shearing discusses his career as a jazz musician and his interpretations of songs from various composers

    May. 10, 1979

    Studs interviews George Shearing about his career and performances at Rick's Cafe in Chicago. Shearing shares the events and people who influenced his Jazz music. He describes European audiences and studio musicians. Studs quotes Leonard Feather, music critic, on Shearing's take on the song "San Jose." The musical pieces are removed from this edited version of the original recording.

  • Bobby Short discusses his career as a vocalist, pianist, and song writer

    Feb. 20, 1974

    Studs interviews Bobby Short, an African American composer, vocalist, and pianist. Short describes his performances and interpretations of songs by Ira Gershwin, Cole Porter, Noel Coward, and George Gershwin. Studs reads a letter written to short from Coward requesting that Short sing his songs. Studs and Bobby discuss composer and singer styles. The musical pieces are removed from this edited version of the original recording.

  • Alexander Tcherepnin

    Alexander Tcherepnin discusses his childhood and career as a composer

    Mar. 8, 1977

    Studs interview with Alexander Tcherepnin about his compositions for opera and a variety of instrumentals. Tcherepnin shares his childhood in Saint Petersburg born into a family with a rich musical background. He also shares his opinion about how Hitler affected the opera in Europe. This edited version does not include the musical recordings played in the original version.

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