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Lily Tomlin and her colleagues, George Boyd, Cheryl Swanek, Louis St. Louis and Larry Freeman talk about their working together. St. Louis says working with Lily is similar to being on an eternal vacation. Freeman says Lily will tell you if there's a problem with the production. Four of Tomlin's comic pieces are included in the interview.
When he was a child, Dudley Moore first wanted to study the violin. He's grateful to his mother for insisting that he first study the piano. Moore said his influences include Bach and Garner. Unlike other musicians, Moore's main focus has always been on the beat, both the cultivation and the presence of the beat of a song and of music.
Charlotte Chandler discusses biography on Groucho Marx, "Hello, I Must be Going". Includes songs and excerpts by Groucho Marx, such as: "Hello, I Must be Going;" "Hooray for Captain Spaulding;" "Omaha, Nebraska;" "A Day at the Races;" and "Five Marvelous Pretzels." Includes recitation of "Six Flying Hamsters."
In this interview Carol Channing discusses her work as artist: comedic timing; live/club performing; her connection with the audience as a performer; theater as a "spiritual world"; the concept of "opening nights"; creation of Mehitabel's (alley cat) voice; "Lorelei", and her ability deliver comedic characterizations and impersonations (such as Marlene Dietrich, Sophie Tucker, and Cecilia Sisson). Included in this interview are excerpts from the "Little Girl from Little Rock", "Madeline and Other Bemelmans", "Shinbone Alley".
Carol Channing discusses the following with Studs Terkel: her early career; her growth as actor/comedian; her approach to her work; her performance in "Lorelei" as Lorelei; her performance in "Wonderful Town" as Ruth; the job of the understudy; and breaking performance barriers and type casting.
Carlotta Monti discusses W.C. Fields and her book "W.C. Fields & Me".
Silent film pioneer Buster Keaton discusses his career following the release of "When Comedy Was King," a compilation of some classic shorts by Keaton, Charlie Chaplin, Harold Lloyd, and others. Keaton reveals how they shot the early silent films, generated material and gags, how they planned big chase scenes, the resurging European interest in silent classics, and more. Studs asks Keaton about the stylistic differences between him and Chaplin, whether he would recreate silent films, and how they compare to today's film-making.
Comedian and actor Bob Newhart discusses his career and his life before becoming a comedian; excerpt from his stand-up performance is played.
This lighthearted interview with actor, director and author Victor Spinetti is juxtaposed by the September 5, 1975 bombing of the London Hilton, which took place mere hours beforehand and "two blocks away," according to Studs. The two discuss Spinetti's Welsh background, acting and comedy with nervous energy against a backdrop of gunshots and bomb threats.