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Marcel Marceau, world renown mime, talks about when he performed in prisons in France, Germany, and Chicago, including death row inmates who he could not see. He also discusses moments where he met famous silent actors such as Charlie Chaplin, Harpo Marx, and Stan Laurel. They then discuss childhood and aging. Content Warning: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.
Discussing the Redmoon Theater of Chicago with co-founders Bill Lasko, Blair Thomas and Clare Dolan. Mr. Thomas and Ms. Dolan were also puppeteers in the theater. The actors talk about making the puppets their own characters and making them larger than life. Audiences are captivated by the puppets, who offer a sense of wonder, magic and fantasy.
Discussing "Two-part invention" at the Goodman Theater with cast members Jerome Kilty, Leonard Frey and Avril Gentles.
Discussing the production of "I'd rather be right" by Kaufman and Hart with Frank Farrell and Sheldon Patinkin.
Discussing the one man show as Charles Dickens at North Light Repertory Theatre with the actor Emlyn Williams.
Studs interviews Gilbert Moses about his play, "Blues for Mister Charlie" and The Free Southern Theater. They discuss a variety of plays that include, "White America," "Roots," and "Blues of Mister Charlie."
Studs interviews Gilbert Moses about the Free Southern Theatre that performed throughout Mississippi depicting the lives of Southern blacks. Moses describes the audiences and their reactions to the plays and their own participation in acting out their lives.
Lily Tomlin and her colleagues, George Boyd, Cheryl Swanek, Louis St. Louis and Larry Freeman talk about their working together. St. Louis says working with Lily is similar to being on an eternal vacation. Freeman says Lily will tell you if there's a problem with the production. Four of Tomlin's comic pieces are included in the interview.
Frederick Ritter, professor, preforms musical numbers from Austria. He also discusses the history of baroque theater and Volk's Theatre, along with Viennese culture. He is joined by Sabine Roupp, Joseph Gardner and David Miller on piano during the performances. Ritter also compares Bertolt Brecht with earlier writers, Johann Nestroy and Ferdinand Raimund. Selected pieces includes works by Mozart and Ferdinand Raymond and Johann Nestroy.