The day before their concert performance at North Park College, the Shanghai Quartet was at the WFMT studios. Betty Bucchari explained her job was to search for great musicians that were not well-known. The Li brothers were destined to play the violins, as their parents were music teachers for 15 years.

Ernesto Anaya, Hector Sanchez, José Ávila, Olga Alanís, and Rosalinda Renoso discuss the influence of Mexican culture and history in the music they perform and the instruments they use.

Studs Terkel interviews the members of the Fine Arts Quartet, 1st violin Leonard Sorkin, 2nd violin Abram Loft, viola Gerald Stanick, and cello George Sopkin. The members of Fine Arts Quartet discuss the following: Elizabeth Sprague Coolidge's contributions to chamber music in America, the centennial anniversary of Coolidge's birth, the history of chamber music in America, the nature of their rehearsals, and their performances.

Howard Levy, Stuart Rosenberg, and Johnny Frigo reminisce about their discovery of musical genres that inspired them and discuss the early roots of folk music.

Meg Christian discusses songwriting and the music industry, especially her work in the feminist movement.

Chilean folk songs have been removed due to copyright restrictions: "If We Are Americans;" a flute song for the harvest celebration; the song "Jacinto Cenobio;" song ["Winos Poinas"]; a Mexican flute song; the song "La Fiesta De San Benito;" the song "La Pulque;" and the song "El Condor Pasa." but are discussed within the program.

Max Morath discusses his career, jazz music, and history.

Studs Terkel interviews Mary Lou Williams and her manager, Father Peter O'Brien. They discuss music, musicians, and instruments. Some clips of piano music playing at the end.

Studs interviews Mary Collins about her husband, Lee Collins. They discuss the book that she and Lee wrote together until his death in 1960. Mary shares interesting stories of Lee’s experiences when he toured. She and Studs reflect on the other artists that Lee Collins worked with and those that influenced his music. Mary shares the story of how she and Lee reconnected in Chicago. She explains how Lee’s depression because of his health led to his attempted suicide and the horrible way he was treated at the psychiatric hospital.

When the announcement was made, to let the audience know the opera singer they came to see would not be performing but that Martina Arroyo would be singing the part of Aida, Arroyo recalls that you could hear the crowd groan all the way in Chicago. Arroyo talks about singing in the operas. She also talks about even though she may have a starring role in the opera, the show is not hers, but rather everyone in the company works hard to put out a good production.

When the announcement was made, to let the audience know the opera singer they came to see would not be performing but that Martina Arroyo would be singing the part of Aida, Arroyo recalls that you could hear the crowd groan all the way in Chicago. Arroyo talks about singing in the operas. She also talks about even though she may have a starring role in the opera, the show is not hers, but rather everyone in the company works hard to put out a good production.

Discussing Billy Graham and revivalism with author and journalist Marshall Frady and singer and musician Win Stracke.

Marilyn Horne talks about her music career and her upcoming perfomance in "Rinaldo" at the Chicago Opera Theater

Marilyn Horne and Henry Lewis discuss their careers, opera music, and their operatic roles. They also discuss cross-gender roles in opera and Marilyn Horne's role as Romeo in the opera "Capuleti e i Montecchi" by Vincenzo Bellini. Includes clips of Marilyn Horne singing an opera song at the beginning, an opera song by Gioachino Rossini, and a song from Charles Gounod's opera "Sapho."*Please note: some sections have been edited out from the original recording due to copyright considerations 

Marilyn Horne and Henry Lewis discuss their careers, roles, and opera. Includes Marilyn Horne singing a song from Ludwig von Beethoven's "Fidelio".