Discussing the book "Is there no place on earth for me?" with the author Susan Sheehan.

Author Susan Brownmiller discusses and reads from her book “Waverly Place”, a fictional story heavily inspired by the Lisa Steinberg child abuse case of 1987. Brownmiller discusses the details of the case and how domestic abuse, law enforcement, and the judicial system affected the outcome of this case. Studs plays "She Sits on the Table" - Tom Paxton (1980).

In Susan Brownmiller's book, "Against Our Will: Men, Women and Rape," Brownmiller shows her audience how and why rape is a crime of one's mind and not one of passion. According to Brownmiller, rape is man's dominance over a woman.

Ms. Anthony, the grand-niece of Susan B. Anthony, comments on the women's liberation movement, her personal political life and her view of Christian life.

Discussing the controversy over the use of the book "Working" by author Studs Terkel in a senior vocational class. Interviews with Kay Nichols, teacher, and two high school classes, as well as Bob Burns and Jim Richardson. The students talk of how the "bad" language in the book is heard from their peers on a daily basis and they don't find it offensive. [recorded in Girard, Pennsylvania]

Studs and Jules Feiffer read several of Feiffer’s political cartoons culminating in a performance of “Feiffer’s America.” The performance is preceded by Feiffer’s explanation of the inspiration behind these works. Feiffer attempts to answer what drives him to create these astute observations of political happenings, which are often used as an outlet for his anger regarding social and political events. Studs plays "On the Good Ship Lollipop" - Shirley Temple (1934).

Studs Terkel and Tom Wolfe discuss Wolfe's first collection of essays, "The Kandy-Kolored Tangerine-Flake Streamline Baby". Terkel and Wolfe begin their conversation by listening to and discussing an excerpt from an interview with a young motorcycle enthusiast named Chuck. Topics of conversation include Wolfe's writing process and personal history, the generation gap, class and income disparity, motorcycle culture, Las Vegas, and stock car racing.

Using the backdrop of James Baldwin's "Nobody Knows My Name" and Baldwin's feelings that Blacks were ashamed of where they came from, Terkel interviews Professor and Chairman of the Political Science Department of Roosevelt University on his book coauthored with Stokely Carmichael entitled" Black Power: Politics of Liberation in America". Hamilton states that Blacks were taught to hate themselves and leave school believing that. Institutional racism and the deliberate oppression it creates, holds blacks back. Blacks are left out of crucial decision making processes that concern them.

Using the backdrop of James Baldwin's "Nobody Knows My Name" and Baldwin's feelings that Blacks were ashamed of where they came from, Terkel interviews Professor and Chairman of the Political Science Department of Roosevelt University on his book coauthored with Stokely Carmichael entitled" Black Power: Politics of Liberation in America". Hamilton states that Blacks were taught to hate themselves and leave school believing that. Institutional racism and the deliberate oppression it creates, holds blacks back. Blacks are left out of crucial decision making processes that concern them.

Friedrich Luft, Chief Drama Critic for Die Welt discusses German theater and Bertolt Brecht as well as new playwrights such as Peter Weiss. Unlike American theaters, Germany has over 200 theaters that are subsidized and each town of 50,000 has a theater. Just like the days of The People's Stage (which still exists) the grocer and cobbler of Germany enjoy the theater. They are as devoted to the theater as going to a museum or church. They are treated to 12 to 16 new or old plays from Sophocles to Sartre or Pinter.

Terkel wraps up his discussion with Frank Norman. Norman gives his opinion on present conditions in prisons and orphanages. He opens up about his relationship with his daughter and a family he has never met.

Terkel delves into the life of Frank Norman, a London ex-con who turned his life around and became a novelist and playwright by writing on his experiences. He wrote "Bang to Rights" shortly after his prison release which brought him great fame. He followed that with "The Monkey Pulled it's Hair" that had a U.S. release under the name "Don't Darling Me Darling". Norman opened up to Terkel discussing his illegitimacy, his illiteracy till age 14, his institutionalization in an orphanage which he turned into the novel "Banana Boy".

Sandra Cisneros recounts the creation of her works from her new release "Woman Hollering Creek and Other Stories" as well as "House on Mango Street". The following have been removed due to copyright restrictions: "Eleven", "Mexican Movies", "Eyes of Zapata", "Bien Pretty" and "One Holy Night". From "House on Mango Street" she reads "A Smart Cookie", "Hips", "My Name", and "Mi Tocayo," "Those Who Don't."

Studs Terkel heads to the British town of Stratford-upon-Avon (the birthplace of William Shakespeare) intending to interview Sir John Gielgud, and getting a few words before Studs realizes that Sir John is not intending to be interviewed. He speaks instead to other members of the company. Then he meets Mr. and Mrs. Lawrence in the Falcon Hotel.

Studs discusses writing and acting with John Schultz, Paul Pekin, and six of their students: Alex Wayne, Linda Gilbert, Will Jackson, Dan Michalski, Bill Johnson, and Fred Game. The main topic of conversation is the "Story Workshop" method of teaching writing, which Schultz had recently developed and were leading at CAM (Christian Action Ministries) Academy in Chicago. The group discuss their history as teachers and writers, and they demonstrate some of the techniques they employ in their methodology. Some of the students also express the successes they have had in developing their writ