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The interview begins with Wright Morris reading from a essay he had presented at a conference on Arts in Public. Wright Morris, an American novelist and essayist , discusses how society no longer participates in consuming the arts, only skimming the surface by reading a review. Mr Morris argues that the bulk of society does not embrace or learn from the past mostly due to the fact there is no knowledge and a lack of curiosity to gain that knowledge.
Photographer and author Walter Rosenblum, and dancer and choreographer Daniel Nagrin discuss art, life, photography, and dance. The two answer the question “What calls one to a life of art?” and other driving factors for artists such as political, social, and economic interests. Studs opens and closes this program by playing an untitled Armenian dance song.
Author and journalist Tom Wolfe discusses his new book, "In Our Time," which focuses on the ever-changing culture and ethics of America. Drawing examples from his cartoons he discusses how the counterculture of the 1960s, TV evangelists, politicians, and actors are challenging mores and values of the American people.
Discussing the book "From Bauhaus to our house" with the author and journalist Tom Wolfe.
Presenting at the Picasso unveiling: dedication ceremony and comments 30th anniversary.
Artist and author Scott McCloud discusses and reads from his book “Understanding Comics: The Invisible Art.” This discussion focuses heavily on the history of comics, or sequential art, and notable figures using this artform. Studs plays "Seven Studies on Themes of Paul Klee: 4. The Twittering Machine" - Gunther Schuller (1966).
Art historian Roxana Robinson discusses and reads from her book “Georgia O'Keeffe: A Life.” Robinson discusses the different eras of painting O’Keeffe went through during her lifetime and the outside forces that inspired these changes in subject matter, such as her attending the Art Students League of New York, her moving to Santa Fe, and her relationship with Alfred Stieglitz. Studs plays “Tosca, Act II: Vissi d’arte, vissi d’amore” - Renata Tebaldi, George London, Francesco Molinari-Pradelli (1959).
Charles M. Schultz gave high praise to Robert L. Short's book, "Parables of Peanuts". Long explained Schulz's comic strips and his thoughts of cruelty among children. Short further explained that Schulz's comic strips turns the readers back to themselves and gives the readers the opportunities to see their own lives as they really are.
Authors Richard Cahan and John Vinci discuss architecture and photography in Chicago, focusing on the works of Richard Nickel and Louis Sullivan. Includes an interview with Richard Nickel.
According to Ramona Lampell, Appalachia is often associated with hillbilles and poor people. The Lampells wanted to change that stereotype with their book, "O, Appalachia: Artists of the Southern Mountains". By showing off the work of 20 artists', the Lampells hope the people of Appalachia feel good about themselves and where they come from.
In Mary Lynn Kotz's book, "Rauschenberg, Art and Life," Kotz recounts the works and story of 20th century art pioneer Robert Rauschenberg. They survey his career beginning in Port Arthur, TX, discussing his Depression-era upbringing which caused him to reuse and salvage virtually any object and transform it into art, his studies in Paris, made possible by the G.I.
Discussing the exhibit and book "In the Eye of the Storm: an Art of Conscience, 1930-1970: Selections from the Collection of Philip J.& Suzanne Schiller," with artist Jack Levine, and exhibit sponsor Philip Schiller.
Ivy Compton-Burnett continues the discussion of class structure in England. Ms. Compton-Burnett states that she has never been a actor but she had always been an observer, to which Studs agrees that her writing reflect her statement accurately. He ends the interview by telling Ms. Compton-Burnett that she is a true original and that he greatly admires her individuality. Interview ends at 13:00. (part 2) Studs then begins an interview with Peter Hall at Aldwych theater office London, England. Mr.