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Richard Peaslee discusses his work as a composer in the film "Marat/Sade" directed by Peter Brook and based off Richard Weiss' 1964 play.
Oliver Knussen discusses his adaptation of "Where the Wild Things Are", which was beginning production at the Chicago Opera Theater, Chicago.
Celebration in honor of the 100th anniversary of Ernst Toch's birth
Celebrating the 50th Anniversary of the University of Chicago's Mandel Hall with conductor William Russo. Mandel Hall is the University's primary performance hall for dance, music, and theater.
Celebration for Duke Ellington's birthday
Cathy Berberian reflects on the evolution of her avant-garde singing style and her work with various contemporary music composers. Includes an interview with John Cage. Content Warning: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.
Bruno Bettelheim discusses his book "Love is not enough: the treatment of emotionally disturbed children". He discusses his theories on treating "emotionally disturbed" children and he speaks about The Orthogenic School for Emotionally Disturbed Children where he is the director.
Interviewing folk singers-songwriters Bob Gibson and Tom Paxton.
Bill Russo talks about the commedia dell'arte production being staged at the Center for New Music at Columbia College Chicago. The production includes two pieces, "Pedrolino's Revenge" and "Isabella's Fortune".
Studs interviews Barbara Cook about her work in musical theater from Broadway to opera. Cook speaks about the composers and writers she has worked with. She explains some of her songs such as “Ice Cream” and “Grass Harp” and describes her first Carnegie concert. Studs quotes Leonard Bernstein, who speaks to Cook’s talent. Cook describes how she went from Broadway to opera and shares how she chooses the songs that she performs. She discusses the art of her talent. The musical pieces are removed from this edited version of the original recording.
German director August Everding discusses his career from theater to opera and shares themes from his current opera productions.
Antonia Brico discusses her life as a conductor, her education as a pianist, and her studies to become a conductor. Studs plays an excerpt of the 1974 documentary on Antonia Brico entitled “Antonia: A Portrait of the Woman.”*Please note: some sections have been edited out from the original recording due to copyright considerations
Musician Anthony Braxton speaks with Studs Terkel about his music and the various musicians who have influenced him.