Listen to New Voices on Studs Terkel our partnership with 826CHI-here! Read the Story
Showing 16 - 30 of 239 results
Author and historian Tim Pat Coogan talks about the history, culture, and division of Ireland. Coogan tells the backstory and summary of his book, "The IRA: A History." Later, he gives an in-depth view of the history, politics, and religion of the IRA and gives some ideas on how to fix the problems.
Interviewing with the very "u" girl at the establishment (Part 2) while Studs was in England.
Studs discusses the life and work of Irish playwright, critic, and political activist George Bernard Shaw with historian and biographer Stanley Weintraub, editor of "Shaw: An Autobiography Selected From His Writings." The focus of the interview is Weintraub's book "Journey to Heartbreak: The Crucible Years of Bernard Shaw 1914-1918", including a lengthy discussion of Shaw's views on war. Excerpts are heard from recordings of Shaw himself, as well as of Charles Laughton reading from Shaw's "Don Juan in Hell."
Discussing the book "The Maginot Line Syndrome: America's Hopeless Foreign Policy" (published by Ballinger) with the author, labor activists, and historian Sidney Lens.
Author Ross Miller discusses his latest work, which centers around Chicago and the aftermath of the Great Chicago Fire and its effects on rebuilding the metropolis and the advantages of gaining a new take on architecture and society.
Discussing the book "Architecture, Men, Women and Money in America, 1600-1860" (published by Random House) with the author, historian Roger Kennedy.
According to Roger G. Kennedy's book, "American Churches," churches are organic expressions of the community. The church, whether it be a temple or a cathedral, the architecture of the buildings themselves should be inviting so that people will want to participate inside them, explained Kennedy.
Robert Vaughn takes time out from his Drury Lane appearance in "Tender Trap" to discuss his new book "Only Victims" with Studs Terkel. The discussion spans the years 1938 when Martin Dies became the first House Committee on Unamerican Activities (HUAC) chairman to Vice President Spiro Agnew's condemnation of the "New York Times" and "Washington Post". Vaughn created the title of his book "Only Victims" from a Dalton Trumbo speech that reflected back on the era of HUAC as being one where there were no heroes, no villains, only victims.
Architectural historian Robert Twombly discusses the biography “Louis Sullivan: His Life and Work.” Referred to by Studs as the architect that most symbolizes Chicago architecture, Louis Sullivan, this program outlines Sullivan’s life as a prominent architect who was one of the first to incorporate nature, or "the organic", into architecture, and who ended his life in poverty. This program includes a clip from 1956 of Frank Lloyd Wright speaking to his contemporaries, indignant, asking what took them so long to recognize Louis Sullivan and his genius in the architectural field?
On July 17, 1944, there was a huge explosion at Port Chicago in California. Of the 320 men on duty at the pier that died, 202 of them were Black. Robert Allen's book, "The Port Chicago Mutiny: The Story of the Largest Mass Mutiny Trial in U.S. Naval History," covers the story of poor working conditions, the explosion, work stoppage, the trial and the outcome. There is an excerpt of Joe Small, recalling what happened, when he was a sailor present there.
Historians and exhibit organizers Rob Okun, Richard Fried, and Peter Novick discuss the Spertus Museum’s exhibit “Unknown Secrets: Art and the Rosenberg Era.” Julius and Ethel Rosenberg were both convicted and executed in 1953 for participating in spy activity for the Soviet Union. Okun, Fried, and Novick discuss the Rosenberg case and the subsequent response from the public after the execution, many of whom felt the Rosenbergs were wrongfully convicted. The art in this exhibit captures the passion surrounding this case.
Jazz scholar and historian Richard Wang discusses Charles Mingus' "Epitaph", a 4,237 measure-long composition. Wang discusses Mingus’ upbringing and how he was trained on the trombone originally. Throughout the interview, performances of the Epitaph are played and Wang notes in the composition where listeners can hear Mingus’ classical training, as well as where other classical musicians, such as Duke Ellington and Claude Debussy, most likely were referenced as inspiration in the composition.