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Discussing the making of film documentaries with Fred Wiseman, especially his film, "Juvenile Court." Includes excerpts of the sound track from a juvenile detention center in Memphis, Tennessee.
Director Frank Galati explains that the play "She Always Said, Pablo," was about Gertrude Stein's relationship with Pablo Picasso. Referring to the play itself, Galati also said that he tried to marry their narrative writings with some operatic song.
When asked what the play meant to her, cast member Carmen Pelton, said the play was a presentation of Susan B. Anthony and her struggles. Alan Stone explained why he felt chills when Anthony spoke of her troubles. "Mother of Us All," explained director Frank Galati was a look at the good fight Susan B. Anthony pursued toward women's suffrage.
Studs Terkel plays interview clips of actors [Marcello Mastroianni and Alain Cuny] and the director Federico Fellini discussing their film "La Dolce Vita" and the character Steiner. At the beginning of the program Studs Terkel interviews Nelson Algren, a writer, and Mario Devecki (a person who made the film "La Dolce Vita" happen) about La Dolce Vita and Steiner.
Studs continues his interview with Erich Luth in Hamburg, Germany. The audio breaks at 25:23 and continues on a Sat at 25:28 till its conclusion at 35:43. Erich Luth conveys stories of humanity by both German prisoners towards Russian prisoners whose treatment was dictated by the Nazi party to not offer any winter clothing or shoes to provide comfort. The German laborers provided a human solidarity that brought them food, clothes, and soap.
Dr. Young talks about his policy about addictive medications at Cook County Hospital, and about the financially driven connections between pharmaceutical companies and doctors.
Theater director Douglas Turner Ward talks with Studs Terkel about the play "The River Niger." Further discussion is had about the play's writer, Joseph Walker, as well as the story and characters, and the play's connection to the African-American community.
Discussing the validity and truthfulness of the film documentary "Cinema Verite" and can it, ought it compete with current affairs TV? What sort of filmmaking is important, or useful, and for what reasons. What about entertainment films? with film maker Marcel Ophuls.
Discussing the film "Pretty baby" with Louis Malle.