Terkel interviews actors from the American Conservatory Theater: Richard A. Dysart, Robin Gammell, Rene Auberjonois, Janis Young, and William Ball. This is an interview done in two parts.

Stage director Alan Schneider talks about his work with playwrights, Samuel Beckett and Edward Albee. Plays include "Waiting for Godot," "A Delicate Balance," and "Whose Afraid of Virginia Woolf?"

His total love for the theatre began when Alan Ayckbourn worked backstage, and then worked the lights. He eventually began writing plays. To date, he has written 47 of them. Ayckbourn admits that his plays may be dark but he explained that he tries to add some humor into them, too. When writing a play, and without any notes, Ayckbourn said, he'll take four or five days to write out an entire play on a word processor.

Part Two of this engrossing interview sees Spinetti elaborate on characters from Joan Littlewood's production of "Oh, What A Lovely War!" in England. Includes a reading of "The English Seaside in High Summer" and an a capella performance of the musical's Act I closer, "Good-bye-ee!", both by Spinetti.

English actor, director and writer Victor Spinelli discusses several aspects of Joan Littlewood's production of "Oh, What A Lovely War!", including the origin of the songs, slides and quotations used in the musical. The two also discuss the World War War I, blind patriotism and what an Italian drill sergeant might sound like. Includes as a reading of "Watchers Along the Mall" by Spinetti.

The playwright, director, and the founder of the Black Ensemble Theater returns to the studio to discuss her updated production of the Tennessee Williams play, A Streetcar Named Desire.*Please note: some sections have been edited out from the original recording due to copyright considerations