Discussing and reading American Buffalo and The Woods with David Mamet.

Discussing Paul Robeson with actor, teacher, and musician Avery Brooks.

Discussing Samuel Beckett's "Waiting for Godot" and the Beckett Project with director Alan Schneider.

As previously presented in Studs Terkel's weekly Almanac program, Abe Burrows, talks about how he got into writing. After the Depression, Burrows explained he had no true goal in mind other than that of simply surviving. Typing out material on a typewriter was when Burrows realized he was good at both writing and comedy.

Herbert Blau’s KRAKEN experimental group performed, “The Donner Party, Its Crossing,” at the at the Body Politic Theatre. Blau shares his thoughts on the theatre and his approach to theatre. Blau believed there was always a story to be told, and that an audience would only understand the true story of people’s hardships by telling and re-telling a story over and over again. The program also includes an excerpt of a George Keithly interview at 5:40 to 7:40.

Henry Fonda and John Houseman talk about working with one another on "Clarence Darrow: A One-Man Play". Houseman is in awe of Fonda's portrayal of Clarence Darrow, explaining that in the play, the audience can really see the growth of Clarence Darrow, from a young lawyer to an experienced, wise one. Fonda talks about the opening scene when Darrow recalls his father talking to him when he was a young boy. Fonda reflects on times when his father talked to him. Fonda recalls being taught not to hate individuals.

Austrian actress Helene Thimig-Reinhardt discusses her origins and reflects on a long acting career. As the widow of Max Reinhardt, much of the discussion touches on his work as a theater director, film director, and impresario. 00:50:30- 00:52:29 "Ich Muss Wieder Einmal in Grinzing Sein" by Lotte Lehmann

Being both a theatre critic and a theatre director prompted Harold Clurman to write his book, "The Fervent Years: The Group Theatre and the 30's". Clurman hopes that with every play a viewer sees, he or she then takes that material and ponders the message. Clurman explained that plays were a way to communicate truth about life.

Director Frank Galati explains that the play "She Always Said, Pablo," was about Gertrude Stein's relationship with Pablo Picasso. Referring to the play itself, Galati also said that he tried to marry their narrative writings with some operatic song.

When asked what the play meant to her, cast member Carmen Pelton, said the play was a presentation of Susan B. Anthony and her struggles. Alan Stone explained why he felt chills when Anthony spoke of her troubles. "Mother of Us All," explained director Frank Galati was a look at the good fight Susan B. Anthony pursued toward women's suffrage.

Theater director Douglas Turner Ward talks with Studs Terkel about the play "The River Niger." Further discussion is had about the play's writer, Joseph Walker, as well as the story and characters, and the play's connection to the African-American community.