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Rilla Bergman, Lou Fant, and Bill Reese converse with Studs about The National Theater for the Deaf and the production they are presenting. Two of the actors Ms. Bergman and Mr. Reese discuss what it took to learn, as hearing people, the best ways to express themselves with sign language. They all talk about how much more expressive the actors in the Deaf Theater have to be to convey the message of the piece they are presenting.
Studs speaks to actress Peggy Nelson, playwright Arnaud d'Usseau, and student Olivier Bernier while he is in France. [Part 2 includes Yves Montand.]
Being both a theatre critic and a theatre director prompted Harold Clurman to write his book, "The Fervent Years: The Group Theatre and the 30's". Clurman hopes that with every play a viewer sees, he or she then takes that material and ponders the message. Clurman explained that plays were a way to communicate truth about life.
Danish essayist and novelist Elsa Gress discusses her work, current events, and cultural movements. Her book "My Many Homes" ("Mine mange hjem") is also mentioned. She talks about American and Demark, theater, and the sexual revolution.
Bill Russo talks about the commedia dell'arte production being staged at the Center for New Music at Columbia College Chicago. The production includes two pieces, "Pedrolino's Revenge" and "Isabella's Fortune".
Russian composer Alexander Tcherepnin discusses his travels to China & Japan and their influence on his music, composing for non-traditional instruments, electronic music, teaching young composers, and his "Concerto No. 2".