When he was a child, Dudley Moore first wanted to study the violin. He's grateful to his mother for insisting that he first study the piano. Moore said his influences include Bach and Garner. Unlike other musicians, Moore's main focus has always been on the beat, both the cultivation and the presence of the beat of a song and of music.

Dr. Young talks about his policy about addictive medications at Cook County Hospital, and about the financially driven connections between pharmaceutical companies and doctors.

Nick Rudall talks about directing his 7th play by George Bernard Shaw. Three cast members, Daria Martel, Tom Amandes and David New are part of the interview, too. The actors reenact various scenes of the play. Rudall explains Shaw wrote "Candida" as a way to sort through his complicated feelings with a woman.

Joe Mantegna, Meshach Taylor, Mike Sod, Dennis Franz and Bryan Hickey, all cast members of the "Wonderful Ice Cream Suit," reenact scenes from the play. Joe Mantegna also explains that the guys pitch in to buy the suit. Once they wear the suit, magical things happen to each one of them. .

Carol Channing discusses the following with Studs Terkel: her early career; her growth as actor/comedian; her approach to her work; her performance in "Lorelei" as Lorelei; her performance in "Wonderful Town" as Ruth; the job of the understudy; and breaking performance barriers and type casting.

Silent film pioneer Buster Keaton discusses his career following the release of "When Comedy Was King," a compilation of some classic shorts by Keaton, Charlie Chaplin, Harold Lloyd, and others. Keaton reveals how they shot the early silent films, generated material and gags, how they planned big chase scenes, the resurging European interest in silent classics, and more. Studs asks Keaton about the stylistic differences between him and Chaplin, whether he would recreate silent films, and how they compare to today's film-making.

Anna Deavere Smith discusses and demonstrates her unique character portrayals from her works "Fires in the Mirror" and "Twilight: Los Angeles, 1992."

Terkel interviews four principle actors from the American Conservatory Theater: Richard A. Dicer, Robin Gammell, Renee Obajinhua, and Janis Young. This is an interview done in two parts.

Terkel interviews actors from the American Conservatory Theater: Richard A. Dysart, Robin Gammell, Rene Auberjonois, Janis Young, and William Ball. This is an interview done in two parts.

Actor and director Sam Wanamaker died in December of 1993. In an interview in 1980, he discussed his love of Shakespeare's plays. Wanamaker's mission in life was to recreate, reconstruct and revive The Globe Theatre as it was in Shakespeare's days.

While waiting to see Yves Montand, Studs speaks with a taxi driver through an interpreter, Michelle [Viande?]. Also speaks to Yves Montand.