Merce Cunningham, choreographer and John Cage musician and composer speak about music and dance. The two gentlemen discuss with Studs how music and dance come together to create the avant-garde of art in both worlds (music and dance).

The day before their concert performance at North Park College, the Shanghai Quartet was at the WFMT studios. Betty Bucchari explained her job was to search for great musicians that were not well-known. The Li brothers were destined to play the violins, as their parents were music teachers for 15 years.

Ernesto Anaya, Hector Sanchez, José Ávila, Olga Alanís, and Rosalinda Renoso discuss the influence of Mexican culture and history in the music they perform and the instruments they use.

Studs Terkel interviews the members of the Fine Arts Quartet, 1st violin Leonard Sorkin, 2nd violin Abram Loft, viola Gerald Stanick, and cello George Sopkin. The members of Fine Arts Quartet discuss the following: Elizabeth Sprague Coolidge's contributions to chamber music in America, the centennial anniversary of Coolidge's birth, the history of chamber music in America, the nature of their rehearsals, and their performances.

Howard Levy, Stuart Rosenberg, and Johnny Frigo reminisce about their discovery of musical genres that inspired them and discuss the early roots of folk music.

Melvin Douglas and Frank Lovejoy discuss their roles in Gore Vidal's play "The Best Man", politics, and their careers.

Discussing prisons and interviewing members of the Fortune Society, an reentry services and advocacy group for individuals with justice involvement, headquartered in New York City. They also discuss capital punishment and life in prison. www.fortunesociety.org

Studs interview with Mel Lambert and five Puerto Rican boys (Harry, Carlos, Vic, Jose, and Hector) about their life in Puerto Rico and Chicago. They discuss learning English and other subjects in the jobs project. The five boys talk about gang involvement and interactions with other race and ethnic groups. They also discuss their goals, economic opportunity in Chicago, and their difficult experiences of learning English and getting an education.

Studs interview with five Puerto Rican boys: Hector, Jose, Victor, Harry and Carlos. Two other young men enter the conversation at the end: Raphael and Benjamin. Each boy describes a memory and some express a desire to return to Puerto Rico, while others wish to stay in America. The boys describe some about gang life with the Latin Kings and the violent relationship between gangs in Chicago. Studs suggests a peace conference with all gang leaders, and the boys describe their opinion of the outcome of such a meeting.

In this interview Mel Brooks discusses his new movie "The Producers". The following is discussed: the plot; the other actors in the film; the satirical and campy nature of the film; . Brooks performs several different impersonations throughout the interview.

Meg Christian discusses songwriting and the music industry, especially her work in the feminist movement.

The interview begins with Mr Olson reading the first 3 paragraphs of his book. McKinley Olson discusses the dangers of atomic energy plants and the book "Unacceptable Risk: The Nuclear Power Controversy." Mr Olson describes several forms of alternative/renewable energy sources as a safe replacement of nuclear energy.

Chilean folk songs have been removed due to copyright restrictions: "If We Are Americans;" a flute song for the harvest celebration; the song "Jacinto Cenobio;" song ["Winos Poinas"]; a Mexican flute song; the song "La Fiesta De San Benito;" the song "La Pulque;" and the song "El Condor Pasa." but are discussed within the program.

Angelou discusses: her early life; her international travels; dancing; blues and jazz music; and the book "Youngblood" by John Oliver Killens. In this program "In the Evening (When the Sun Goes Down)" and "Joe Turner No. 2 (Blues of 1892)" by Big Bill Broonzy, "I Ain't Gonna Pick No More Cotton" by Sam Lightnin' Hopkins is played, as well as other musical selections.