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Red Norvo remembers recording some of his albums with other performers like Mildred Bailey, Dizzy Gillespie, and Benny Goodman, as well as the revival of jazz music. Recordings are played of the following: "Lover Come Back to Me" by the Red Norvo Combo, "The Weekend of a Private Secretary" sung by Mildred Bailey, "Congo Blues" by Red Norvo And His Selected Sextet, "After You've Gone" by Red Norvo feat. Benny Goodman Sextet, "Rhee! Oh! Rhee" by Red Norvo, "The Night is Blue" by Red Norvo, and "Everything I've Got Belongs to You" by Red Norvo. Songs have been removed due to copyright.
Starting at a young age, Ramsey Lewis really loved music and as he got older, he'd practice five or six hours a day. Lewis says he knew nothing about jazz until he met Wallace Burton at the age of 15. Burton hired Lewis on the spot to play in his band. Church music, Spanish music, Duke Ellington and the Beatles, says Lewis, were all great influences to him.
In Berkeley, Calif., Ralph Gleason, jazz and pop critic, and founding editor of Rolling Stone, talks with Studs about the history of jazz and jazz artists. They talk in depth about Billie Holiday, white performers who imitated the style of black jazz singers, and jazz festivals. Songs include Holiday's "Them There Eyes" and "God Bless the Child."
Polly Podewell and Johnnie McDonough evaluate jazz vocalists, musical influences, and compare music genres. Jazz music performances of Polly Podewell (from private tape) are interspersed throughout the interview as well as recordings from Mildred Bailey, Helen Ward, and Billie Holiday. Songs are removed on this file due to copyright reasons.
Studs interviews Phyl Garland about her book "Sound of Soul." They discuss various musicians that she mentions in her book and their influence on black music. Garland explains the music of young black artists and how commercialization of music gave blacks an opportunity that they would not have had otherwise. Garland talks about how Fannie Lou Hamer used music to express her message in the Civil Rights Movement and as a women's rights activist. Studs and Garland discuss various black female artists and their music.
Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. Muhammad Ali discusses his book "The Greatest: My Own Story," touching on topics including his childhood and family, conversion to Islam, stance on the Vietnam War, and experiences in jail.
Mort Sahl the comedian discusses comedy, social satire, and humorists. He discusses the difference between sick humor and social commentary. He discusses politics in America. Includes a speech by humorist Will Rogers towards the end of the program.
Max Morath discusses his career, jazz music, and history.
Studs Terkel interviews Mary Lou Williams and her manager, Father Peter O'Brien. They discuss music, musicians, and instruments. Some clips of piano music playing at the end.
Marian McPartland discusses jazz music, her husband Jimmy McPartland, and her career.
Marian McPartland discusses her career, the role of women in jazz, and jazz music.
Discussing African drums, African music, and John Chernoff's book "African Rhythm and African Sensibility" with John Chernoff and Eric Rucker. Includes John Chernoff and Eric Rucker playing the drums. Includes an earlier interview clip of two drummers battling from the island of Silan.
Presenting music with music producer (impresario) John Hammond. The following topics were discussed: various recordings; his encounters with famous jazz musicians; the first time he met Billie Holiday; the song "Strange Fruit"; improvisation; racial reform; Bessie Smith's death; and uniting rural and urban artists. The following musical excerpts were played and have been removed for copyright reasons: "7 Come 11"; "This Years Kisses"; "Lady Be Good"; "Young Woman's Blues"; "What More Can Jesus Do"; and "Piney Brown Blues".
Music producer John Hammond and jazz critic for Down Beat magazine John McDonough discuss: Hammond's career; the artists he worked with; the artists he was the first to sign; social reform; and more. The following musical excerpts are played: "7 Come 11"; "Sauce"; "Talking Union"; "Blowing In the Wind"; "Today I Sing The Blues"; and "Live Embers".
Bandleader, jazz musicologist and composer James Dapogny discusses his work in reviving the sound and art of jazz. Dapogny's work is mainly associated with his group James Dapogny's Chicago Jazz Band and his career in publishing lost works of Ferdinand "Jelly Roll" Morton.