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Actor Robert Morley discusses his career and autobiography, "Robert Morley: A Reluctant Autobiography;" part 1.
Rich Bailey and Rick Cluchey discuss performing Endgame by Samuel Beckett and Beckett's influence on their careers. Duplicate to file ID 18646. This recording does not include the musical tribute.
Terkel comments and reads poetry with Gary Merrill
Ray Gordon, writer and director, and Susanne Nussbaum, cast member of "Disabled Geniuses," discuss the play and the life of people with disabilities. Nussbaum recalls experiences of discrimination she and her friends have faced due to their differences. Both interviewees then talk about the members of the play and some of the characters involved.
The Goodman Theatre cast of the play “Fences” discuss some of the major themes from the play, including the African-American experience and race relations, particularly in Major League Baseball.
Peter Ustinov discusses his wide-ranging career in the arts as an actor, author, director, and dramatist.
Angelou discusses her book "I Know Why the Caged Bird Sings" and recites "When I Think About Myself." She talks about growing up in Stamps, Arkansas, and her family. Copyrighted material has been removed.
American-British actress Margaret Webster, talks about the unsophisticated audience members that go to see plays by Shakespeare. Upon seeing a play, they're afraid to go at first but once they are there, they realize how much they are truly enjoying themselves.
Discussing the movie "Return of the Secaucus seven" with Maggie Renzi and John Sayles.
When asked, Jen Kruuse said he wrote his book, “A War for an Afternoon,” as a result of life being madness. As a morale booster, to make the men of the SS army feel invincible, they were ordered to exterminate the town of Oradour-sur-Glane, France. The women and children of the town were rounded up, placed in the town’s church and the church was burned. All the men of the town were shot dead. The entire incident, explained Kruuse, was madness, pure madness.
Ivy Compton-Burnett continues the discussion of class structure in England. Ms. Compton-Burnett states that she has never been a actor but she had always been an observer, to which Studs agrees that her writing reflect her statement accurately. He ends the interview by telling Ms. Compton-Burnett that she is a true original and that he greatly admires her individuality. Interview ends at 13:00. (part 2) Studs then begins an interview with Peter Hall at Aldwych theater office London, England. Mr.
Susan Nussbaum, founder of Access Living and Michael Pachovas founder of Disabled Prisoners Program discuss the upcoming Disabled Americans Freedom Rally in the backdrop of the International Year of the Disabled Persons and President Reagan's budget cuts. Society needs to understand that expenditures are required to secure the rights of disabled people to live active, productive lives. They need to be able to get out of their apartment buildings or homes, travel on sidewalks and ride buses. That may require access ramps, working elevators, cut curbs, and hydraulic buses to lower steps.