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Now being a professional playwright, William Gibson talked about being able to write one of his plays in 8 days. A lot of the discussion is about his play, "The Miracle Worker". After reading one of Annie Sullivan's letters, and learning about a battle royale that Sullivan had with Helen Keller, Gibson envisioned what that battle royale would look like. It became a now famous part of the play.
Tennessee Williams said he'll stop writing when he can no longer produce good work. He spoke of being puzzled as to why so little of his work gets produced in New York. Williams also talked about taking offense when the first sequences of the TV show "Dallas" aired. He explained that the owner of the great estate in "Dallas" was a copy of his Big Daddy character, who was a wealthy plantation owner.
Terkel comments and presents musical performance of Shakespeare tapestry
Excerpts of interviews with Simone Signoret (actress and author), Simone de Beauvoir (author), and Francoise Rosay (actress).
Rick Cluchey's love for the theatre began in the Theatre Group of the San Quentin Prison. After his time there, Cluchey spent three months in Berlin working with Samuel Beckett. It was there that Cluchey learned how Beckett seemed to choreograph his works onto the stage. An excerpt of an interview with Alan Schneider is also included.
American author and screenwriter Peter Feibleman discusses his friendship with Lillian Hellman and the memoir he wrote about her life called “Lilly: Reminiscences of Lillian Hellman.” Includes an interview with Lillian Hellman. Includes a 30 second test tone.
Monsters, imagination and violence in children's literature are all topics of Maurice Sendak's book, "Where the Wild Things Are." When writing the book, Sendak used his own experiences as a little boy, remembering that the monsters in the family were relatives on his mother's side. There are two excerpts of composer Oliver Knussen.
American playwright, dramatist, and author Lillian Hellman discusses her book "Pentimento" and the individuals profiled within it.
Jonathan Miller discusses Shakespeare. Includes Feste's song "Hey, ho, the Wind and Rain" sung by Alfred Deller. Includes a clip from Jonathan Miller as Bertrand Russell.
James Graham-Lujan concludes by talking about Garcia Lorca's most celebrated plays, Blood Wedding, Yerma, and The House of Bernarda Alba. Tragedy is brought about due to the passion of a woman in each of the plays.
Ivy Compton-Burnett continues the discussion of class structure in England. Ms. Compton-Burnett states that she has never been a actor but she had always been an observer, to which Studs agrees that her writing reflect her statement accurately. He ends the interview by telling Ms. Compton-Burnett that she is a true original and that he greatly admires her individuality. Interview ends at 13:00. (part 2) Studs then begins an interview with Peter Hall at Aldwych theater office London, England. Mr.
Interviewing British dramatist-novelist Michael Frayn.
Discussing the books "Nutcracker," "The Love for Three Oranges: The Glyndebourne Version," "Where the Wild Things Are," and "Outside Over There" with author and artist Maurice Sendak.
Discussing the one man show as Charles Dickens at North Light Repertory Theatre with the actor Emlyn Williams.