Showing 1 - 15 of 24 results
Joel Sachs discusses Russian avant-garde music and Soviet Union artists.
Discussing the music of the Mothers of Invention and interviewing Frank Zappa. Songs include "Who are the Brain Police," "Brown Shoes Don't Make It," "Concentration Moon," "Mom and Dad," "Bow Tie Daddy," "Harry, You're a Beast," "What's the Ugliest Part of Your Body?" "Trouble Every Day," "Very Distraughtening," "White Ugliness" and "There Will Come a Time."
John Cage and Merce Cunningham discuss their collaborations of choreography and music. They discuss their influences and careers. Includes a clip of an earlier interview with John Cage.
Rilla Bergman, Lou Fant, and Bill Reese converse with Studs about The National Theater for the Deaf and the production they are presenting. Two of the actors Ms. Bergman and Mr. Reese discuss what it took to learn, as hearing people, the best ways to express themselves with sign language. They all talk about how much more expressive the actors in the Deaf Theater have to be to convey the message of the piece they are presenting.
Presenting music published by Chicago record label Cedille Records including the music of composer and pianist Easley Blackwood along with David Schrader and Ramon Salvatore
In this round table discussion the three gentlemen - all composers, musicians, and educators - discuss with Studs contemporary music and the standards for defining a composition in music. In the second hour they discuss what level of knowledge of music a critic should have in order to form a proper opinion of music. All animatedly offer their opinion to both the pro and the con. A movement of both Blackwood and Shapey compositions is played.
The program begins with an excerpt from BBC Radio about a hoax piece of music by Pietorzac (Hans Keller). Hans Keller and a friend went into studio and made noise and presented it as music. In this round table discussion the three gentlemen - all composers, musicians, and educators, discuss with Studs, contemporary music and the standards for defining a composition as music. In the second hour, they discuss what level of knowledge of music a critic should have in order to form a proper opinion of music. All animatedly offer their opinion to both the pro's and the cons.
Fela Sowande discusses his career, Nigerian music, and compares African culture and Western culture. Includes clips of musical performances by Highlife musicians and orchestra. Music: A clip of high-life music, "Folk Symphony for Full Orchestra."
Fela Sowande discusses his career, different types of Nigerian and African music, the Yoruba people, and religion. Includes clips of an African Yoruba pagan hymn "Oyigiyigi," a Christian version of that hymn, and an organ version of that hymn. Includes Sowande's song "Roll de Ol' Chariot." Quotes a poem by [Anthony Gregascoigne], an English poet he met in England.
Fela Sowande discusses his career, music, and compares African culture and music to Western culture and music. Includes two songs that are sung by tenor Max Worthley. Includes a clip of a Nigerian Youth song. Includes performance by a Nigerian skiffle band. Sowande was inspired by [Anthony Gregascoigne], an English poet he met in England.
Merce Cunningham, choreographer and John Cage musician and composer speak about music and dance. The two gentlemen discuss with Studs how music and dance come together to create the avant-garde of art in both worlds (music and dance).
Studs and Mr. Blackwood discuss his musical theory of tonal composition, and Mr. Blackwood plays several excerpts of his piece "Chamber Work for Fourteen Winds" on the piano.
Laurie Anderson discusses her album "Big Science" and talks about he creative process. Talks briefly about her transition from plastic arts to performance artist and her perspective of the world after World War II and her collection of short stories and songs called "United States"
Studs Terkel interviews composer Ned Rorem. They discuss Rorem's childhood, music, poetry, languages, and religion.