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Marian Anderson recalls singing on stage for the first time at the Metropolitan Opera House in 1957 and how it was the realization of a dream come true. Marion's nephew, James DePreist remembers being able to conduct a piece of music he had never conducted before because his aunt Marion had exposed him to it when he was a child. James said when his aunt Marion sung spirituals, he couldn't help but feel religious and he's an atheist.
The Peking Opera and "Taking Tiger Mountain by Strategy" are among topics discussed in Lois Wheeler Snow's book, "China on Stage: An American Actress in the People's Republic". While visiting China, Snow learned the Chinese plays were both of the traditionally old ways and of the new revolutionary ways. Snow also adds that performances of Chinese acrobatics is like nothing in the United States.
members of the Philippine Educational Theatre Association.
Marion Anderson, soloist, and James DePreist, conductor, sit down with Studs Terkel prior to their Grand Park Weekend Concert where "Berjack Symphony No. 2 or 7" will be played with the 'Copland Preamble for Solemn Occasion" as well as a group of Negro Spirituals with "Ava Maria". Marian Anderson begins the interview by singing "Erlkonig" and concludes with "Ava Maria". She discusses the early influence of the first Negro arts singer, Roland Hayes had on her in Philadelphia and his "He Never Said a Mumberlin' Word" is played. Both Anderson and DePreist discuss how song becomes drama.
Foldi is also the director of the Lyric Opera Center for American Artists, the professional artist development program of the Lyric Opera of Chicago.