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Actor, director, and author Vincent Dowling performs scenes and roles from his repertoire. He discusses his previous plays and touches on what influenced his career in acting and directing.
Studs Terkel heads to the British town of Stratford-upon-Avon (the birthplace of William Shakespeare) intending to interview Sir John Gielgud, and getting a few words before Studs realizes that Sir John is not intending to be interviewed. He speaks instead to other members of the company. Then he meets Mr. and Mrs. Lawrence in the Falcon Hotel.
Sam Wanamaker talks about the curtain of a stage being a barrier between the set and the audience. Wanaker says that with theater today, there are more theaters in the round and more thrusts of ramps built into the audience, so that the audience can feel they are a part of the production of the play.
Terkel interviews Jonathan Miller about Shakespeare theater with some comparisons between American and English theater. They also talk a great deal about American drama, actors, and theater.
Jonathan Miller discusses English society and class post WW2 and his TV movie Alice in Wonderland; part 2.
Jonathan Miller discusses English society and class post WW2 and his TV movie Alice in Wonderland; part 1.
Ivy Compton-Burnett continues the discussion of class structure in England. Ms. Compton-Burnett states that she has never been a actor but she had always been an observer, to which Studs agrees that her writing reflect her statement accurately. He ends the interview by telling Ms. Compton-Burnett that she is a true original and that he greatly admires her individuality. Interview ends at 13:00. (part 2) Studs then begins an interview with Peter Hall at Aldwych theater office London, England. Mr.
Terkel Talks with known English Dramatist Sir Arnold Wesker (part 2) about the economy of England. The talk begins with the subject of apprentices and when students began their apprenticeship (usually at the age of 15). This is a two part interview
Terkel Talks with known English Dramatist Sir Arnold Wesker (part 1) about the economy of England. The talk begins with the subject of apprenticeship. This is a two part interview.
This lighthearted interview with actor, director and author Victor Spinetti is juxtaposed by the September 5, 1975 bombing of the London Hilton, which took place mere hours beforehand and "two blocks away," according to Studs. The two discuss Spinetti's Welsh background, acting and comedy with nervous energy against a backdrop of gunshots and bomb threats.
His total love for the theatre began when Alan Ayckbourn worked backstage, and then worked the lights. He eventually began writing plays. To date, he has written 47 of them. Ayckbourn admits that his plays may be dark but he explained that he tries to add some humor into them, too. When writing a play, and without any notes, Ayckbourn said, he'll take four or five days to write out an entire play on a word processor.
Part Two of this engrossing interview sees Spinetti elaborate on characters from Joan Littlewood's production of "Oh, What A Lovely War!" in England. Includes a reading of "The English Seaside in High Summer" and an a capella performance of the musical's Act I closer, "Good-bye-ee!", both by Spinetti.
English actor, director and writer Victor Spinelli discusses several aspects of Joan Littlewood's production of "Oh, What A Lovely War!", including the origin of the songs, slides and quotations used in the musical. The two also discuss the World War War I, blind patriotism and what an Italian drill sergeant might sound like. Includes as a reading of "Watchers Along the Mall" by Spinetti.