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Studs interview with Virgil Thomson about his career as a music composer. Thomson shares his work with Gertrude Stein in operas "Mother of Us All" and "Four Saints In Three Acts." He discusses his preference for black artists. Thomson describes his work in documentary films such as "Plow That Broke the Plains." He also shares information about the cajun music "Squeeze Box" in the film "Louisiana Story." This edited version does not include the music pieces.
Studs presents a tribute to singer, actor, athlete, author and civil rights crusader Paul B. Robeson. Studs talks about his personal memories, the social impact and music of Paul Robeson. Excerpts from 1925362-4-1 Mr Robeson' friends recall memories of him: Earl Dickerson one of the 1 st black aldermen of Chicago, J. Mayo "Ink" Williams football player, Studs Terkel, Claudia Cassidy(1925655-4-1), Eddie Balchowski, Veteran, painter, poet(1934701-3-1) Includes excerpts from 1925362-4-1 and music. Similar to 1925362-3-1, but not identical. 01/23/1976 date of death.
Jazz pianist Oscar Peterson sits down with Studs Terkel to discuss historical developments in jazz piano, his own personal development as a pianist, and his experience directing a youth jazz piano school. Includes Peterson playing short excerpts from "Chicago (that toddlin' town)," "Soon," Chopin's Nocturne in E flat Major to demonstrate musical concepts.
The day before their concert performance at North Park College, the Shanghai Quartet was at the WFMT studios. Betty Bucchari explained her job was to search for great musicians that were not well-known. The Li brothers were destined to play the violins, as their parents were music teachers for 15 years.
Self-taught composer Maurice Weddington talks about his music career from his early years when he was raised on the West Side of Chicago to his performances around Western Europe.
When the announcement was made, to let the audience know the opera singer they came to see would not be performing but that Martina Arroyo would be singing the part of Aida, Arroyo recalls that you could hear the crowd groan all the way in Chicago. Arroyo talks about singing in the operas. She also talks about even though she may have a starring role in the opera, the show is not hers, but rather everyone in the company works hard to put out a good production.
When the announcement was made, to let the audience know the opera singer they came to see would not be performing but that Martina Arroyo would be singing the part of Aida, Arroyo recalls that you could hear the crowd groan all the way in Chicago. Arroyo talks about singing in the operas. She also talks about even though she may have a starring role in the opera, the show is not hers, but rather everyone in the company works hard to put out a good production.
Marian Anderson talks about her singing career, including her singing in Sunday School and her first singing experience in 4th grade. She shares how she interprets the songs she sings. Includes Studs reading the poem "Gertrude" by Gwendolyn Brooks. The interview takes place in Anderson's suite in the Sheraton Blackstone in Chicago.
Marian Anderson recalls singing on stage for the first time at the Metropolitan Opera House in 1957 and how it was the realization of a dream come true. Marion's nephew, James DePreist remembers being able to conduct a piece of music he had never conducted before because his aunt Marion had exposed him to it when he was a child. James said when his aunt Marion sung spirituals, he couldn't help but feel religious and he's an atheist.
Marion Anderson, soloist, and James DePreist, conductor, sit down with Studs Terkel prior to their Grand Park Weekend Concert where "Berjack Symphony No. 2 or 7" will be played with the 'Copland Preamble for Solemn Occasion" as well as a group of Negro Spirituals with "Ava Maria". Marian Anderson begins the interview by singing "Erlkonig" and concludes with "Ava Maria". She discusses the early influence of the first Negro arts singer, Roland Hayes had on her in Philadelphia and his "He Never Said a Mumberlin' Word" is played. Both Anderson and DePreist discuss how song becomes drama.
Discussing Paul Robeson with actor, teacher, and musician Avery Brooks.
Recorded live on Chicago's South Side. Robeson is ill at the time of recording. Speakers: Earl Dickerson, Etta Moten Barnett, Judge Sidney Jones, J. Mayo "Ink" Williams, Joan Brown (possibly Abena Joan Brown), Charles Hamilton, Margaret Burroughs, [John Gray's sister], [Stevens?]
Composer and Pulitzer Prize winner for music Anthony Davis discusses his latest work focusing on the topic of the life and assassination of Malcolm X.