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Robertson Davies, Canadian writer and professor, discusses his newest book, "Lyre of Orpheus," the third book in the "Cornish Trilogy." The summary of the book and its ties to the King Arthur legend are explained.
Ned Rorem discusses the differences between writing books and writing compositions, his book "The Paris Diary of Ned Rorem", and how he uses poetry in his compositions.
Monsters, imagination and violence in children's literature are all topics of Maurice Sendak's book, "Where the Wild Things Are." When writing the book, Sendak used his own experiences as a little boy, remembering that the monsters in the family were relatives on his mother's side. There are two excerpts of composer Oliver Knussen.
Author Madeleine L'Engle discusses her novel "A Severed Wasp," about a retired concert pianist (Katherine Forrester, who appeared in L'Engle's first novel, "The Small Rain") who puts on a benefit concert at the Cathedral of St. John the Divine at the request of her old friend, Felix Bodeway. Like Katherine, L'Engle is a pianist and the interview is interspersed with Bach fugues throughout. In addition to discussing the plot, Terkel and L'Engle discuss several of the book's characters and their histories and motivations.
Frederick Ritter, professor at Illinois Institute of Technology, discusses the life and work of playwright Bertolt Brecht, the genre of epic theater, and more.
Fela Sowande discusses his career, music, and compares African culture and music to Western culture and music. Includes two songs that are sung by tenor Max Worthley. Includes a clip of a Nigerian Youth song. Includes performance by a Nigerian skiffle band. Sowande was inspired by [Anthony Gregascoigne], an English poet he met in England.
Dr. Carlo Levi talks about the differences in Italian and American literature in the first part. In the second part, children Julio and Phillipo sing Italian nursery rhymes. In the last part, Maria Caniglia and husband Pino Donati discuss opera; part 2.
Author Carl Vigeland discusses his latest book, a portrait of the 1986-1987 concert season of the Boston Symphony Orchestra (BSO). Vigeland focuses on the nexus between art, business, and music, seen through the tense relationship between Kennedy Center Honoree conductor Seiji Ozawa and principal trumpeter Charles Schlueter.