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Drama historians and professors Dr. Emmett L. Avery of University of Washington and Dr. Arthur H. Scouten of University of Pennsylvania discuss the Restoration Comedy period of theater in England. The two served as editors of a twelve-volume collection that documents this period of theater in England. In this interview, the two discuss the cultural standards of the time, including how this period was when women were first allowed to be actors in productions. Studs plays "Concerto grosso in C Major, HWV 318 "Alexander's Feast": I. Allegro" - Philomusica of London (1960).
"George Bernard Shaw: My Astonishing Life" is a one-man show starring Donal Donnelly. As Donnelly said there wasn't enough time during the play to portray all parts of Shaw's history and experiences. Shaw was against all war, explained Donelly, because not only of the lives lost but no one knew what great doctors, or lawyers, or writers could have been, had those men not lost their lives. There are also two excerpts from a BBC recording in 1937 of George Bernard Shaw.
a musical biography of Irish patriot and author Brendan Behan, with actors Glenn Allen Pruett and Mary Callaghan Lynch, and musician Neil Woodward.
Director Steven Robman and actor Brian Dennehy discuss their play "Rat in the Skull". Brian Dennehy performs a passage from Rat in the Skull.
British actress Barbara Jefford of the Royal Shakespeare Company discusses her current roles of Lady Macbeth and St. Joan and her reflection of the female roles she portrayed over the years. Jefford was the youngest recipient of the Order of the British Empire for her services in theater and was best known for her role as Molly Bloom in the 1967 film Ulysses.
British actress Barbara Jefford of the Royal Shakespeare Company discusses her current roles of Lady Macbeth and St. Joan and her reflection of the female roles she portrayed over the years. Jefford was the youngest recipient of the Order of the British Empire for her services in theater and was best known for her role as Molly Bloom in the 1967 film Ulysses.
Arnold Wesker, English playwright and writer in several genres discusses scenes from the play "Roots". Mr Wesker further discusses his plays and the current cast traveling around England performing several of his plays. The interview tape ends and Studs recalls the remainder of the interview alone as a postscript.
Terkel Talks with known English Dramatist Sir Arnold Wesker (part 2) about the economy of England. The talk begins with the subject of apprentices and when students began their apprenticeship (usually at the age of 15). This is a two part interview
Terkel Talks with known English Dramatist Sir Arnold Wesker (part 1) about the economy of England. The talk begins with the subject of apprenticeship. This is a two part interview.
This lighthearted interview with actor, director and author Victor Spinetti is juxtaposed by the September 5, 1975 bombing of the London Hilton, which took place mere hours beforehand and "two blocks away," according to Studs. The two discuss Spinetti's Welsh background, acting and comedy with nervous energy against a backdrop of gunshots and bomb threats.
His total love for the theatre began when Alan Ayckbourn worked backstage, and then worked the lights. He eventually began writing plays. To date, he has written 47 of them. Ayckbourn admits that his plays may be dark but he explained that he tries to add some humor into them, too. When writing a play, and without any notes, Ayckbourn said, he'll take four or five days to write out an entire play on a word processor.
Part Two of this engrossing interview sees Spinetti elaborate on characters from Joan Littlewood's production of "Oh, What A Lovely War!" in England. Includes a reading of "The English Seaside in High Summer" and an a capella performance of the musical's Act I closer, "Good-bye-ee!", both by Spinetti.
English actor, director and writer Victor Spinelli discusses several aspects of Joan Littlewood's production of "Oh, What A Lovely War!", including the origin of the songs, slides and quotations used in the musical. The two also discuss the World War War I, blind patriotism and what an Italian drill sergeant might sound like. Includes as a reading of "Watchers Along the Mall" by Spinetti.