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Woody Allen discusses his life and art, the influence of both success and failure on his work, and how he finds comedy in life’s difficulties and trials. He discusses his first screenplay, “What’s Up Pussycat?” and other comedians who have influenced the development of his own comedic work, including Mort Sahl, Charlie Chaplin, the Marx Brothers, and George S. Kaufman.
Studs presents a tribute to singer, actor, athlete, author and civil rights crusader Paul B. Robeson. Studs talks about his personal memories, the social impact and music of Paul Robeson. Excerpts from 1925362-4-1 Mr Robeson' friends recall memories of him: Earl Dickerson one of the 1 st black aldermen of Chicago, J. Mayo "Ink" Williams football player, Studs Terkel, Claudia Cassidy(1925655-4-1), Eddie Balchowski, Veteran, painter, poet(1934701-3-1) Includes excerpts from 1925362-4-1 and music. Similar to 1925362-3-1, but not identical. 01/23/1976 date of death.
Nora Sayre discusses her book "Running time: Films of the Cold War" and how Russian-American relations affected Hollywood and celebrity blacklists.
John West discuss early classical Hollywood comedy double act Stan Laurel and Oliver Hardy. Four clips are played during the interview. The first three clips are from Laurel and Hardy's "Their First Mistake" (1932) and the fourth clip is from Laurel and Hardy's "Swiss Miss" (1938).
Folklorist and radio show host John Henry Faulk discusses his book "Fear on Trial," covering his experiences being on the Hollywood blacklist and his lawsuit against AWARE; includes Christmas story at the end of part 2.
Lily Tomlin and her colleagues, George Boyd, Cheryl Swanek, Louis St. Louis and Larry Freeman talk about their working together. St. Louis says working with Lily is similar to being on an eternal vacation. Freeman says Lily will tell you if there's a problem with the production. Four of Tomlin's comic pieces are included in the interview.
Charlotte Chandler discusses biography on Groucho Marx, "Hello, I Must be Going". Includes songs and excerpts by Groucho Marx, such as: "Hello, I Must be Going;" "Hooray for Captain Spaulding;" "Omaha, Nebraska;" "A Day at the Races;" and "Five Marvelous Pretzels." Includes recitation of "Six Flying Hamsters."
In this interview Carol Channing discusses her work as artist: comedic timing; live/club performing; her connection with the audience as a performer; theater as a "spiritual world"; the concept of "opening nights"; creation of Mehitabel's (alley cat) voice; "Lorelei", and her ability deliver comedic characterizations and impersonations (such as Marlene Dietrich, Sophie Tucker, and Cecilia Sisson). Included in this interview are excerpts from the "Little Girl from Little Rock", "Madeline and Other Bemelmans", "Shinbone Alley".
This interview features singer and actress Carol Channing which discusses: the film "Shinbone Alley"; production of "Lorelei"; her grandmother; and her career. It begins with a musical excerpt from the animated movie "Shinbone Alley" featuring Channing singing as the alley cat Mehitabel. It also includes excerpts from the Broadway production called "Lorelei", examples of her character acting/comedy (as Cecilia Sisson), her reading of "Madeline and other Bemelmans", and a portion of the song "So Long Dearie" from the play "Hello, Dolly!".
Carlotta Monti discusses W.C. Fields and her book "W.C. Fields & Me".
Silent film pioneer Buster Keaton discusses his career following the release of "When Comedy Was King," a compilation of some classic shorts by Keaton, Charlie Chaplin, Harold Lloyd, and others. Keaton reveals how they shot the early silent films, generated material and gags, how they planned big chase scenes, the resurging European interest in silent classics, and more. Studs asks Keaton about the stylistic differences between him and Chaplin, whether he would recreate silent films, and how they compare to today's film-making.