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Willard Van Dyke, cinematographer and co-director of documentaries like "The City" and "The River," talks about 20th century American history and how it effected the arts. Using his documentaries and other artists' work, he explores how the Great Depression, World War II, and the Cold War changed American art and culture. He discusses Public Works of Art, war propaganda, and McCarthyism and their challenges for artists. Near the end of this interview, Van Dyke discusses the changes in modern still photography and documentaries as Americans forget history.
Studs Terkel and Richard Lester discuss the impact of "How I Won the War" on both audiences and critics. Insight is offered on the unjustness of even just wars like World War Two. The film offers insight into the mindless acceptance of death. Terkel then closes the show with his impressions of London during his stay that includes a mention of race, culture, nightlife, and sports.
Discussing the showing of his films with film maker Marcel Ophuls.
While in his home in Berlin, Jurek Becker covers various topics. He first talks about being arrested back in 1978 in New Orleans. Becker also talks about his lack of memories from being in the concentration camp. When he was 3, 4, or 5, Becker said that when he was there, there was nothing, and therefore, there's nothing to remember.
Through an interpreter, Madame Ida Kaminska discusses her role in the film "The Shop on Main Street." Both her mother and father were actors, too. Madame Kaminska explains she comes from a family of actors from 100 years ago.
Studs interview with Hildegard Knef, actress and writer. They discuss her life in Nazi Germany during the war and her experience as an actress when she came to America. Studs and Hildegard read together from her book, "The Gift Horse." Knef describes her family, Nazi Germany, survival, and her experience as a German in American post WWII. Her husband, David Anthony Palastanga, also reads an excerpt from her book.
In making this film, Lanzmann interviewed death-camp survivors and Nazi functionaries.
Photographer David Scherman talks with Studs Terkel about the stories that photos can tell, famous photographers, and the book “The Best of Life,” which Scherman edited. A recording of the song “Brother, Can You Spare a Dime?” by the Weavers is played.