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American-British actress Margaret Webster, talks about the unsophisticated audience members that go to see plays by Shakespeare. Upon seeing a play, they're afraid to go at first but once they are there, they realize how much they are truly enjoying themselves.
Discussing the movie "Return of the Secaucus seven" with Maggie Renzi and John Sayles.
Discussing his play "Orphans" and the Imagination Workshop with playwright, director and Imagination founder Lyle Kessler. The Imagination Workshop is a non-profit theater group that brings together professional artists and "at risk" children, the mentall
In the first part of this program Studs Terkel discusses French theater with critic Jean Vilar. In the second part, Studs and Eugène Ionesco discuss Ionesco’s work and the Theater of the Absurd.
Ivy Compton-Burnett continues the discussion of class structure in England. Ms. Compton-Burnett states that she has never been a actor but she had always been an observer, to which Studs agrees that her writing reflect her statement accurately. He ends the interview by telling Ms. Compton-Burnett that she is a true original and that he greatly admires her individuality. Interview ends at 13:00. (part 2) Studs then begins an interview with Peter Hall at Aldwych theater office London, England. Mr.
Susan Nussbaum, founder of Access Living and Michael Pachovas founder of Disabled Prisoners Program discuss the upcoming Disabled Americans Freedom Rally in the backdrop of the International Year of the Disabled Persons and President Reagan's budget cuts. Society needs to understand that expenditures are required to secure the rights of disabled people to live active, productive lives. They need to be able to get out of their apartment buildings or homes, travel on sidewalks and ride buses. That may require access ramps, working elevators, cut curbs, and hydraulic buses to lower steps.
Discussing the book "Front and center" with the author John Houseman.
Discussing and reading "The American buffalo" and "The woods" with David Mamet.
Discussing Samuel Beckett's "Waiting for Godot" and the Beckett Project with director Alan Schneider.
Discussing "Goldwyn: A Biography," (published by Knopf) with the author A. Scott Berg.
As previously presented in Studs Terkel's weekly Almanac program, Abe Burrows, talks about how he got into writing. After the Depression, Burrows explained he had no true goal in mind other than that of simply surviving. Typing out material on a typewriter was when Burrows realized he was good at both writing and comedy.
Herbert Blau’s KRAKEN experimental group performed, “The Donner Party, Its Crossing,” at the at the Body Politic Theatre. Blau shares his thoughts on the theatre and his approach to theatre. Blau believed there was always a story to be told, and that an audience would only understand the true story of people’s hardships by telling and re-telling a story over and over again. The program also includes an excerpt of a George Keithly interview at 5:40 to 7:40.
Geoffrey Bridson and his wife Joyce, discuss his book "Prospero and Ariel: The rise and fall of radio a personal recollection.", as well as his life and career as a producer/broadcaster for BBC radio. The interview is interspersed with several excerpts from recordings: Excerpt of conversation at the home of Bridsons in England 1962. He talks about the play "Aarons field" and the sequel "Aarons Fallout shelter". Excerpt from Joyce Bridson backstage after the play "Oh what a lovely war" in New York.
Garson Kanin discusses his book "Hollywood: Stars and Starlets, Tycoons, Moviemakers, Frauds, Hopefuls, Great Lovers", published in 1967.