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Author William Bradford Huie discusses his book "Three Lives for Mississippi;" reads passages from book.
Terkel talks with Student Non-violent Coordinating Committee about the civil rights movement, protests, and jail.
Studs Terkel presents a program in honor of the birthday of abolitionist and African American leader Frederick Douglass, including excepts from Terkel's 1964 interview with African-American scholar, author and social historian Lerone Bennett. Terkel reads at length from Douglass' autobiography, "My Bondage and My Freedom," focusing on Douglass' interactions with slave owners Hugh and Sophia Auld.
Using the backdrop of James Baldwin's "Nobody Knows My Name" and Baldwin's feelings that Blacks were ashamed of where they came from, Terkel interviews Professor and Chairman of the Political Science Department of Roosevelt University on his book coauthored with Stokely Carmichael entitled" Black Power: Politics of Liberation in America". Hamilton states that Blacks were taught to hate themselves and leave school believing that. Institutional racism and the deliberate oppression it creates, holds blacks back. Blacks are left out of crucial decision making processes that concern them.
Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. When she was a teenager, Sister Mary William told her parents that she wanted to become a nun. Sister Mary wanted to become a nun so that she could love and help many people.
Bahamian actor Sidney Poitier talks with Studs Terkel about his most recent film "The Defiant Ones" and how racial type-casting for typically white roles works in Hollywood films. Besides being an actor, he is also a film director, author, and diplomat.
On July 17, 1944, there was a huge explosion at Port Chicago in California. Of the 320 men on duty at the pier that died, 202 of them were Black. Robert Allen's book, "The Port Chicago Mutiny: The Story of the Largest Mass Mutiny Trial in U.S. Naval History," covers the story of poor working conditions, the explosion, work stoppage, the trial and the outcome. There is an excerpt of Joe Small, recalling what happened, when he was a sailor present there.
Rita Buscari interviews inner-city youth in Chicago in the aftermath of the 1968 riots. Several pre-teen and teenaged African American youth are featured, discussing their experiences during the Chicago riots of April 1968. Topics include: Relationships between children and adults, relationships between police and civilians, relationships between blacks and whites, and the impact that Martin Luther King Jr.
Discussing the book "the Black Messiah" with the author Reverend Albert B. Cleage, Jr. He discusses the African American church and theology. He also discusses broader topics such as civil rights and African American history. Includes a clip of an interview with a woman named Mrs. Alexander at the beginning. Includes a clip of the song "Beulah Land" sung by the Georgia Sea Island Singers.
In Berkeley, Calif., Ralph Gleason, jazz and pop critic, and founding editor of Rolling Stone, talks with Studs about the history of jazz and jazz artists. They talk in depth about Billie Holiday, white performers who imitated the style of black jazz singers, and jazz festivals. Songs include Holiday's "Them There Eyes" and "God Bless the Child."
Studs interviews jazz and pop critic, and founding editor of "Rolling Stone" magazine, Ralph Gleason while in Berkeley, California (3 parts). Topics include the history of jazz, blues, and jazz culture, and how race played in the development and distribution of the music. Songs include Louis Armstrong's "(I'll Be Glad When You're Dead) You Rascal You."
Ralph Ellison, winner of the National Book Award for Fiction for his book "Invisible Man," discusses his early life and education and his life as a writer and lifetime scholar. He speaks on being a musician (trumpet), the joy of music and the Church and how they fit into the lives of African Americans.
Music performance by Oscar Brown, Jr.
Dick Gregory satirizes capital punishment in the United States, calls for the churches to take action, and talks about potential actions from "demonstrators." Other panel members answer audience questions (Father James Jones, Norval Morris, Hans W. Mattick, and Arthur Wineberg). Hosted by the University of Chicago. (Part 3 of 3)