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Writer Paul Theroux discusses his book “Picture Palace” and the meaning of a photograph with Studs Terkel. Both Theroux and Terkel read excerpts from Theroux’s book, and an audio clip of a photographer discussing what photography means to them is played.
Discussing American photographer Diane Arbus (the first American photographer to have photographs displayed at the Venice Biennale) with Patricia Bosworth, author of Diane Arbus: A Biography, published in 1985.
According to Ramona Lampell, Appalachia is often associated with hillbilles and poor people. The Lampells wanted to change that stereotype with their book, "O, Appalachia: Artists of the Southern Mountains". By showing off the work of 20 artists', the Lampells hope the people of Appalachia feel good about themselves and where they come from.
Micheál Mac Liammóir, actor and playwright, discusses his upcoming performance based on the writings of Irish playwright and poet Oscar Wilde.
After having received the Caldecott Medal for "Where the Wild Things Are," Maurice Sendak knew he had to do a different kind of book. Sendak recalled his trips to Brooklyn as a child and how going out to eat was a huge treat. From there, Sendak's book, "Night Kitchen," was born.
In Mary Lynn Kotz's book, "Rauschenberg, Art and Life," Kotz recounts the works and story of 20th century art pioneer Robert Rauschenberg. They survey his career beginning in Port Arthur, TX, discussing his Depression-era upbringing which caused him to reuse and salvage virtually any object and transform it into art, his studies in Paris, made possible by the G.I.
Jules Feiffer and Studs read several of Feiffer's previous cartoons as they discuss his history as a cartoonist and his retrospective on display at the Walton Street Gallery in Chicago. Feiffer discusses his attempt to move away from political cartoons and instead shift focus to social commentary. Feiffer also discusses his play "Elliot Loves", a love story that captures the complications of love and the “gap” between the sexes.
Jules Feiffer discusses his book “Jules Feiffer’s America: From Eisenhower to Reagan”, a retrospective that chronicles his years as a social and political cartoonist. Studs and Feiffer read through several of Feiffer’s cartoons featured in this book, working their way through the book in “eras” which are categorized based on the U.S. President of that particular time frame. Studs plays “Sh-Boom” - The Crew Cuts (1954), “Big Bad John” - Jimmy Dean (1961). “Yellow Submarine” - The Beatles (1966), and “Happy Days Are Here Again” - Casa Loma Orchestra.
Jules Feiffer discusses and reads from his children's graphic novel, "The Man in the Ceiling." The book has a central theme of overcoming failure and is slightly autobiographical in nature, with a comic book artist as its main character and author. Studs plays "Golliwog's Cakewalk" - Claude Debussy (1906-1908).
Architect John Vinci, art and architectural historian David Van Zanten, and curator Wim de Wit discuss Louis Sullivan and the Chicago Historical Society’s exhibition “Louis Sullivan: The Function of Ornament.” The group discusses Sullivan’s use of ornament to add an organic element to his architecture; as well as some of Sullivan’s most prominent work including the Chicago Stock Exchange Building, the Auditorium Building, and the Sullivan Center. This program includes a clip from 1956 of Frank Lloyd Wright discussing Sullivan and his impact on architectural design.
In the first part of this program Studs Terkel discusses French theater with critic Jean Vilar. In the second part, Studs and Eugène Ionesco discuss Ionesco’s work and the Theater of the Absurd.
Discussing the exhibit and book "In the Eye of the Storm: an Art of Conscience, 1930-1970: Selections from the Collection of Philip J.& Suzanne Schiller," with artist Jack Levine, and exhibit sponsor Philip Schiller.