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Discussing the book "Doing it with style" with the authors Donald Carroll and Quentin Crisp.
Peter Cook and Dudley Moore talk about acting, comedy and their show "Good Evening," a two man sketch comedy show. .
Mort Sahl the comedian discusses comedy, social satire, and humorists. He discusses the difference between sick humor and social commentary. He discusses politics in America. Includes a speech by humorist Will Rogers towards the end of the program.
Mort Sahl discusses comedy, social satire, and politics. Sahl discusses the topics of Communism, Fascism, the Kennedy assassination, and show business.
Tomlin talks in depth about the characters she has created and played (Trudy the Bag Lady, Kate, Agnus Angst, Chrissy, Lynn, Marie, ) in the play "The Search for Signs of Intelligent Life in the Universe" by Jane Wagner. Tomlin talks in detail about each character and inspirations and influences behind each, especially Trudy.
This interview begins with a clip of one of Dick Gregory’s performances, where he talks about nonviolence and Native Americans. Studs Terkel introduces his guest as an observer, explaining that comedians are the best observers in society. Gregory offers extended analogies to communicate his views on a variety of topics, including the Vietnam War, race relations, segregation, human rights, and urban renewal. [The date is unclear, but it has to be after 1970, since the Kent State Shootings were mentioned]
When Cliff Norton performed his first live gig, he tried out his comedy on the band. Norton credits having good performances because of being given good material, funny material. Norton further explained that being an entertainer, one always has to be writing in order to maintain their creative edge.
Carol Channing discusses the following with Studs Terkel: her early career; her growth as actor/comedian; her approach to her work; her performance in "Lorelei" as Lorelei; her performance in "Wonderful Town" as Ruth; the job of the understudy; and breaking performance barriers and type casting.
Silent film pioneer Buster Keaton discusses his career following the release of "When Comedy Was King," a compilation of some classic shorts by Keaton, Charlie Chaplin, Harold Lloyd, and others. Keaton reveals how they shot the early silent films, generated material and gags, how they planned big chase scenes, the resurging European interest in silent classics, and more. Studs asks Keaton about the stylistic differences between him and Chaplin, whether he would recreate silent films, and how they compare to today's film-making.