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Studs Terkel interviews opera singers, Carol Neblett and Richard Stillwell, as members appearing in the Lyric Opera production of "Don Giovanni". They discuss their characters, Elvira and Don. Carol Neblett and Richard Stillwell discuss their careers.
Studs interview with Danny Newman, Public Relations Council for the Lyric Opera Company. Newman shares his theatrical opera introductions and discusses a variety of performers and operas for the Lyric Opera Company season.
Alwin Nikolais discusses his origins and the Henry Street Settlement, his thoughts on the future of modern dance, the stigma modern dance receives, and his approach to choreographing new pieces. Music is played from a tape Alwin Nikolais had with him. Some of it is untitled, some from performances "Caligraph for Martyrs" and "Echo". The music has been removed from this program for copyright reasons.
Red Norvo remembers recording some of his albums with other performers like Mildred Bailey, Dizzy Gillespie, and Benny Goodman, as well as the revival of jazz music. Recordings are played of the following: "Lover Come Back to Me" by the Red Norvo Combo, "The Weekend of a Private Secretary" sung by Mildred Bailey, "Congo Blues" by Red Norvo And His Selected Sextet, "After You've Gone" by Red Norvo feat. Benny Goodman Sextet, "Rhee! Oh! Rhee" by Red Norvo, "The Night is Blue" by Red Norvo, and "Everything I've Got Belongs to You" by Red Norvo. Songs have been removed due to copyright.
Studs Terkel interviews jazz musician Anita O'Day.
Bradley Parker Sparrow discusses his musical influences and growing up as a self taught jazz musician and composer. He also discusses the rigidity of the classical music world and how he likes to improvise with that music. His songs from the album "Latin Black" are played: "Latin Black Funk", "Latin Black Agagio", "Bur-wiser", and "Looking for Duke". "Reflections in D" by Duke Ellington and "Cleopatra's Dream" by Bud Powell are also played. Songs have been removed on this file for copyright reasons.
Being a Pisces, Pavarotti says he's always looking for perfection. He admits the biggest critic of his work is himself. Pavarotti said that he loves the charm of the French language and he likes to learn new languages. He talks of recording some music in Russian. Being able to reach those high C notes, Pavarotti says, is the most athletic part of his voice.
John Bremer discusses theories of educational innovation. Specifically his innovation of "The School Without Walls: Philadelphia's Parkway Program". Discusses life as education, and the societal element in open plan education.
Instead of being called "The King of the High C's," Pavarotti would rather be known as "The King of the Bel Canto". Pavarotti said he didn't have the greatest of enthusiasm prior to performing his first concert. However, it ended up being a phenomenal experience, he said. A great singer, Pavarotti added, is very human and romantic. One needs to feel what one's singing and lastly, one must be a beautiful person inside.
Content Warning: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.