Studs Terkel interviews the artist Gene Hall who created "The Black Christ Not Worthy Of Its Cross" and the head of the Loyola University Sociology Department, Dr. Paul Mundy, who used the title and painting reproduction to spark classroom discussions. Hall describes the creation of his 6 ft tall by 2 1/2 feet wide painting and how seeing the color of Christ diminishes Christ. You don't see Christ when you see color. Hall uses barbed wire instead of thorns in the painting to signify there is no time in painting, it is up to date.

Presenting performances at the Sophiatown Church of Christ the King while Studs was in South Africa. They talked how they brought folk music back to South Africa.

Presenting performances at the Sophiatown Church of Christ the King while Studs was in South Africa. They talked how they brought folk music back to South Africa.

Ira Sullivan, multi-instrumentalist and musician, discusses jazz music. Recorded songs are interspersed throughout their conversation.

With an upcoming show put together by Joe Segal, Art Farmer and Ira Sullivan talk about their jazz careers and early lives.

Using the backdrop of James Baldwin's "Nobody Knows My Name" and Baldwin's feelings that Blacks were ashamed of where they came from, Terkel interviews Professor and Chairman of the Political Science Department of Roosevelt University on his book coauthored with Stokely Carmichael entitled" Black Power: Politics of Liberation in America". Hamilton states that Blacks were taught to hate themselves and leave school believing that. Institutional racism and the deliberate oppression it creates, holds blacks back. Blacks are left out of crucial decision making processes that concern them.

Founded in 1978 and based in San Francisco, Chanticleer is the only full-time classical vocal ensemble in the United States. Comprised of twelve male voices, Chanticleer interprets vocal literature from Renaissance to the present.

Joan Chase discusses and reads from her book "During the Reign of the Queen of Persia: a Novel." This book is told from the perspective of four granddaughters of an Ohio farm wife during the 1950s and is broken into three parts that follow these women throughout their life recounting family stories and the struggles of rural life in modern America. Studs plays "Down in the Valley" - Pete Seeger, Bess Lomax, and Tom Glazer (1951), "Yes Sir, That's My Baby" - Kai Winding & J.J. Johnson (1959), and "Frankie and Johnny" - Burl Ives (1955).