In this interview Mel Brooks discusses his new movie "The Producers". The following is discussed: the plot; the other actors in the film; the satirical and campy nature of the film; . Brooks performs several different impersonations throughout the interview.

Meg Christian discusses songwriting and the music industry, especially her work in the feminist movement.

The interview begins with Mr Olson reading the first 3 paragraphs of his book. McKinley Olson discusses the dangers of atomic energy plants and the book "Unacceptable Risk: The Nuclear Power Controversy." Mr Olson describes several forms of alternative/renewable energy sources as a safe replacement of nuclear energy.

Chilean folk songs have been removed due to copyright restrictions: "If We Are Americans;" a flute song for the harvest celebration; the song "Jacinto Cenobio;" song ["Winos Poinas"]; a Mexican flute song; the song "La Fiesta De San Benito;" the song "La Pulque;" and the song "El Condor Pasa." but are discussed within the program.

Angelou discusses: her early life; her international travels; dancing; blues and jazz music; and the book "Youngblood" by John Oliver Killens. In this program "In the Evening (When the Sun Goes Down)" and "Joe Turner No. 2 (Blues of 1892)" by Big Bill Broonzy, "I Ain't Gonna Pick No More Cotton" by Sam Lightnin' Hopkins is played, as well as other musical selections.

Angelou discusses: her early life; her international travels; dancing; blues and jazz music; and the book "Youngblood" by John Oliver Killens. Musical selections have been removed due to copyright.

Writer and poet Maya Angelou talks about her life, Creole influences, and her book “Gather Together in My Name” with Studs Terkel. Angelou reads an excerpt from the book and the recording opens with Angelou reading one of her poems.

Angelou discusses her book "I Know Why the Caged Bird Sings" and recites "When I Think About Myself." She talks about growing up in Stamps, Arkansas, and her family. Copyrighted material has been removed.

Poet Maya Angelou and journalist Tom Wicker discuss life in the U.S. South and how the region’s history has shaped its culture. Topics of discussion include social dynamics and race in the South, the concept of “home” and what it means to return to one’s roots, and religion in the South. Angelou reads excerpts of her poetry, including “Still I Rise” and “Phenomenal Woman,” and shares spiritual songs from her childhood.

Max Morath discusses his career, jazz music, and history.

Self-taught composer Maurice Weddington talks about his music career from his early years when he was raised on the West Side of Chicago to his performances around Western Europe.

After having received the Caldecott Medal for "Where the Wild Things Are," Maurice Sendak knew he had to do a different kind of book. Sendak recalled his trips to Brooklyn as a child and how going out to eat was a huge treat. From there, Sendak's book, "Night Kitchen," was born.

Monsters, imagination and violence in children's literature are all topics of Maurice Sendak's book, "Where the Wild Things Are." When writing the book, Sendak used his own experiences as a little boy, remembering that the monsters in the family were relatives on his mother's side. There are two excerpts of composer Oliver Knussen.