Terkel interviews actors from the American Conservatory Theater: Richard A. Dysart, Robin Gammell, Rene Auberjonois, Janis Young, and William Ball. This is an interview done in two parts.

Russian composer Alexander Tcherepnin discusses his travels to China & Japan and their influence on his music, composing for non-traditional instruments, electronic music, teaching young composers, and his "Concerto No. 2".

Russian composer Alexander Tcherepnin discusses his early upbringing, training, and composing in Saint Petersburg, as well as the influence of his composer father, Benois family relatives, and associates of Ballet russes.

Discussing the play "Another Time," with playwright Ronald Harwood and actor Albert Finney.

Studs interviews Alan Stone, Steven Larson, and Judith Erickson about the opera, "Regina," playing at the Chicago Opera Theater. They describe the variety of music and dances in the opera. Stone, Larson, and Erickson name the cast and their roles and describe the characters. Each share how they came to be in theater. Stone explains how the company started. Larson describes the orchestra and the chorus. Erickson reads some of the lyrics of the aria, "The Best Thing of All," at the end of act one. Stone, Larson, and Erickson read various lines from the opera.

Stage director Alan Schneider talks about his work with playwrights, Samuel Beckett and Edward Albee. Plays include "Waiting for Godot," "A Delicate Balance," and "Whose Afraid of Virginia Woolf?"

His total love for the theatre began when Alan Ayckbourn worked backstage, and then worked the lights. He eventually began writing plays. To date, he has written 47 of them. Ayckbourn admits that his plays may be dark but he explained that he tries to add some humor into them, too. When writing a play, and without any notes, Ayckbourn said, he'll take four or five days to write out an entire play on a word processor.

Tallulah Bankhead thought she would become an aerialist when she grew up. At 16, after she saw some plays, Bankhead decided to go into acting. Bankhead never received any formal training and yet some experts in the theatre world called her “a natural”. In a surprise revelation, Bankhead said she does not attend the theatre as an audience member. She went on to say she likes to read books, watch television, and she loves her San Francisco Giants.

Part Two of this engrossing interview sees Spinetti elaborate on characters from Joan Littlewood's production of "Oh, What A Lovely War!" in England. Includes a reading of "The English Seaside in High Summer" and an a capella performance of the musical's Act I closer, "Good-bye-ee!", both by Spinetti.

English actor, director and writer Victor Spinelli discusses several aspects of Joan Littlewood's production of "Oh, What A Lovely War!", including the origin of the songs, slides and quotations used in the musical. The two also discuss the World War War I, blind patriotism and what an Italian drill sergeant might sound like. Includes as a reading of "Watchers Along the Mall" by Spinetti.

Abena Joan Brown, President of ETA Creative Arts Foundation, a Chicago-based African American cultural performing arts institution discusses some upcoming shows and past activities. Artists, Paul Robeson, Mahalia Jackson, Billie Holiday, Sam Cooke and poet Angela Jackson are discussed.

The American playwright discusses his Pulitzer Prize-winning drama, A Soldier's Play, before its opening at the Goodman Theater. This program also includes a clip from an interview with African-American military veteran Charles Gates.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Studs sits down with David Montefiore, Stuart Rosenberg, Diane Cypkin, Mary Soreanu, Renee Solomon, Stewart Figa, and Shifee Lovitt to discuss their Chicago Yiddish Theater Project staging of The Jewish Gypsy at the Centre East in Skokie.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The dramatist talks with Studs about his play The Last Meeting of the Knights of the White Magnolia and his Texas Trilogy of plays. Includes some dramatic readings by Jones.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The multi-dimensional artist joins Studs for a wide-ranging conversation about current world affairs, music, theater, and his family's Russian, French, and German roots.*Please note: some sections have been edited out from the original recording due to copyright considerations