Using past recordings, Ella discusses how she works with children to help them find their rhythms using call and response music and percussion. She explains the West African and Latin music influences within her own music. Music played includes Jenkins' own music such as "Miss Mary Mack," "Tahboo," and "Where Has My Little Dog Gone?" She also plays song written by Carl Orff and performed by the Chorus of the Children's Opera Group, such s "Pat-a-Cake," and "Name-Calling." Untitled West African music is also played. Music has been removed due to copyright restrictions.

According to Elisabeth Schwarzkopf, at a young age, she first started to play the piano and viola before she studied singing. Madame Schwarzkopf explained the importance of being able to play different roles. With regards to luck, Schwarzkopf says it happens only once, when one finds the right teacher. All the rest, explains Schwarzkopf is hard work.

Studs Terkel talks with Elisabeth about her career in opera. She discusses her thoughts of her overall career.

Studs Terkel discusses with Elizabet her her role as The Marschallin in Der Rosenkavalier. This interview is done in three parts.

Studs Terkel discusses with Elizabeth her her role as The Marschallin in Der Rosenkavalier. This interview is done in three parts.

Interviewing soprano Elisabeth Schwarzkopf.

Interviewing soprano Elisabeth Schwarzkopf.

Edwin T. Buehrer, a Unitarian minister, discusses Unitarianism, his book "Changing Climate of Religion", and human problems. They also discuss humanity, religion, life on other planets, science, and the universe. Includes a clip of Arthur C. Clarke speaking about the universe and life on other planets. Includes a clip of a boy talking about who he thinks God is. Includes a clip of a boy talking about the fall of Rome.

Edith Wilson talks about her singing and acting career in California and throughout the states. Songs have been removed due to copyright restrictions.

Madam Mason discusses her childhood as it pertains to her career. She shares her training and study in Paris. Mason recalls the many composers and conductors she has worked with and the various opera companies she worked for. The musical numbers are removed from this edited version of the original recording.

Studs replays his interview with Edith Mason 21 years ago. Madam Mason discusses her childhood as it pertains to her career. She shares her training and study in Paris. Mason recalls the many composers and conductors she has worked with and the various opera companies she worked for. The musical numbers are removed from this edited version of the original recording.

They talk about other performers Madam Mason worked with. Edith shares her view on the difference between opera in her day and the current opera. Parts of this version appears to be a duplicate of another, but there are a few parts that are not duplicates. The musical pieces are removed from this edited version of the original recording.

Studs and Mr. Blackwood discuss his musical theory of tonal composition, and Mr. Blackwood plays several excerpts of his piece "Chamber Work for Fourteen Winds" on the piano.

The program begins with an excerpt from BBC Radio about a hoax piece of music by Pietorzac (Hans Keller). Hans Keller and a friend went into studio and made noise and presented it as music. In this round table discussion the three gentlemen - all composers, musicians, and educators, discuss with Studs, contemporary music and the standards for defining a composition as music. In the second hour, they discuss what level of knowledge of music a critic should have in order to form a proper opinion of music. All animatedly offer their opinion to both the pro's and the cons.