American composer William Schuman discusses his career as a composer and music educator at the Juilliard School.

Music director William Ferris explains various vocal techniques displayed during concerts from the William Ferris Chorale.

Music director William Ferris discusses the singers and music of the William Ferris Chorale. Ferris provides insight on the types of instruments used by the chorale and shares origins about them. He also touches on adopted vocal styles and techniques.

Interviewing William Ferris, contemporary composer and conductor, and John Vorrasi, lead tenor, as they discuss the beginning and successes of their group called the William Ferris Chorale.

Willard Van Dyke, cinematographer and co-director of documentaries like "The City" and "The River," talks about 20th century American history and how it effected the arts. Using his documentaries and other artists' work, he explores how the Great Depression, World War II, and the Cold War changed American art and culture. He discusses Public Works of Art, war propaganda, and McCarthyism and their challenges for artists. Near the end of this interview, Van Dyke discusses the changes in modern still photography and documentaries as Americans forget history.

*Please note: some sections have been edited out from the original recording due to copyright considerations 

American jazz cornet player Wild Bill Davison known for his wild ways, discusses his career in jazz music and life in Chicago. Davison rubbed elbows with all the Chicago bigwigs from Al Capone to jazz legends such as Fats Waller.

Music, long hair and the war are among the topics discussed at the pub. Ingo plays the guitar and he's looking for fun with music. Ingo hopes to get married and have children one day. When asked about the war, Brigitte says she doesn't like to think about it and that people should forget about what happened. It's apparent that the group wants to live in peace but none of the individuals have any plans for making a better world.

Werner Burkhardt, German music journalist, critic, and translator, discusses his life and work with Studs. Mr Burkhardt speaks about his life during the time of Adolph Hitler, the Hitler Youth, and World War II. They end the interview talking about Jazz in Munich, a recording of "My Man" by Billie Holiday closes the interview.

Studs Terkel interview with Wanda Wilkomirska about her life as a violinist. They discuss her childhood and her musical family. Wilkomirska talks about the people and music that influenced her, and she describes the differences in audiences between large cities and smaller ones. She expresses her deep love for music and her need to play her music with emotion. Music performances are cut from this particular recording with Wanda Wilkomirska. Studs quotes Ray Erickson, critic from the New York Times and discusses other critiques of her work.

Terkel comments and presents a musical performance of the LaSalle Quartet, comprised of two violins, a cello, and a viola. Terkel interviews Walter Levin, a senior member of the LaSalle Quartet, they discuss the following: the Second Viennese School; chamber music; transparency of quartets; subjective interpretation of compositions; the awareness of color as a musical element; and how the LaSalle Quartet was founded.

Interviewing jazz musicians Von Freeman (tenor saxophone), Kenny Prince (piano), Bradley Parker-Sparrow(piano and composer), and Joanie Pallatto (vocalist).

Interviewing jazz musicians Von Freeman (tenor saxophone), Franz Jackson (vocals) and composer Kahil El'zabar.

Vivian Adams discusses the reasons behind the Mormon Church's stance against the Equal Rights Amendment (ERA). The discussion includes the beliefs of the Church regarding the roles of men and women, as well as the history and music of the Mormon Church.

Studs interview with Virgil Thomson about his career as a music composer. Thomson shares his work with Gertrude Stein in operas "Mother of Us All" and "Four Saints In Three Acts." He discusses his preference for black artists. Thomson describes his work in documentary films such as "Plow That Broke the Plains." He also shares information about the cajun music "Squeeze Box" in the film "Louisiana Story." This edited version does not include the music pieces.