The playwright, director, actress, and founder of the Black Ensemble Theater talks with Studs about her portrayal of singer and actress Ethel Waters in Sweet Mama Stringbean.*Please note: some sections have been edited out from the original recording due to copyright considerations
The playwright, director, actress, and founder of the Black Ensemble Theater joins Studs to discuss her role as Blanche DuBois in the Tennessee Williams play, A Streetcar Named Desire.*Please note: some sections have been edited out from the original recording due to copyright considerations
Angelou discusses: her early life; her international travels; dancing; blues and jazz music; and the book "Youngblood" by John Oliver Killens. In this program "In the Evening (When the Sun Goes Down)" and "Joe Turner No. 2 (Blues of 1892)" by Big Bill Broonzy, "I Ain't Gonna Pick No More Cotton" by Sam Lightnin' Hopkins is played, as well as other musical selections.
Angelou discusses: her early life; her international travels; dancing; blues and jazz music; and the book "Youngblood" by John Oliver Killens. Musical selections have been removed due to copyright.
Studs Terkel continues to interview actress and singer Eartha Kitt. Part 3 of the interview begins with Kitt discussing the following; her career; her international travels; and linguistic abilities.
Studs Terkel continues to interview actress and singer Eartha Kitt. Part 2 of the interview begins with the song "Üsküdara", and ends with "Mountain High, Valley Low", both sung by Kitt. Kitt discusses the following; her career; her desire to entertain; her autobiography, "Thursday's Child"; her mothers death; the art of interacting with the audience; the femme fatale; her time with the Katherine Dunham Dancers; and her portrayl of Helen of Troy.
Studs Terkel interviews actress and singer Eartha Kitt. The program begins with a musical selections sung by Kitt, "C'est Si Bon". Kitt discusses the following; her career; how the songs she sings are interpreted and preferred by people of different nationalities; what led her to be an international star; her childhood; her meeting with Albert Einstein;
The playwright, director, and the founder of the Black Ensemble Theater returns to the studio to discuss her updated production of the Tennessee Williams play, A Streetcar Named Desire.*Please note: some sections have been edited out from the original recording due to copyright considerations