James O'Reilly, Frank Galati and Pauline Brailsford talk about their roles in "The Dresser". Although they've all been performing the play for the last six weeks, they all agree they thoroughly enjoy acting in their roles night after night. The cast members reenact a number of passages within this interview.

In this interview Carol Channing discusses her work as artist: comedic timing; live/club performing; her connection with the audience as a performer; theater as a "spiritual world"; the concept of "opening nights"; creation of Mehitabel's (alley cat) voice; "Lorelei", and her ability deliver comedic characterizations and impersonations (such as Marlene Dietrich, Sophie Tucker, and Cecilia Sisson). Included in this interview are excerpts from the "Little Girl from Little Rock", "Madeline and Other Bemelmans", "Shinbone Alley".

This interview features singer and actress Carol Channing which discusses: the film "Shinbone Alley"; production of "Lorelei"; her grandmother; and her career. It begins with a musical excerpt from the animated movie "Shinbone Alley" featuring Channing singing as the alley cat Mehitabel. It also includes excerpts from the Broadway production called "Lorelei", examples of her character acting/comedy (as Cecilia Sisson), her reading of "Madeline and other Bemelmans", and a portion of the song "So Long Dearie" from the play "Hello, Dolly!".

Carol Channing discusses the following with Studs Terkel: her early career; her growth as actor/comedian; her approach to her work; her performance in "Lorelei" as Lorelei; her performance in "Wonderful Town" as Ruth; the job of the understudy; and breaking performance barriers and type casting.

Director Steven Robman and actor Brian Dennehy discuss their play "Rat in the Skull". Brian Dennehy performs a passage from Rat in the Skull.

In 1978, Arthur Miller saw a play in China and was asked to offer his expertise critique. A few years later, Arthur Miller was asked to direct "Death of a Salesman" in Beijing. Complimentary tickets were given away to the audience for a preview performance. Arthur was appalled at the audiences' behavior as they talked throughout the entire presentation. Miller's main concern was that his play would be seen as a political statement instead of a work of art. However, opening night arrived and his play was very well received.

Arnold Wesker and Doris Lessing discuss the poor, theater, and literature in England. They also discuss art, life, values, race relations, and what people from other countries have in common . The interview takes place in England.

The American poet and writer adapts nursery rhyme forms to address modern day topics like corruption, unemployment, and domestic abuse in her play, Street Dreams: The Inner City Musical, at The Apollo Theater.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The American playwright discusses his Pulitzer Prize-winning drama, A Soldier's Play, before its opening at the Goodman Theater. This program also includes a clip from an interview with African-American military veteran Charles Gates.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The dramatist talks with Studs about his play The Last Meeting of the Knights of the White Magnolia and his Texas Trilogy of plays. Includes some dramatic readings by Jones.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Studs talks with the lead actor and director of The Eleventh Street Theater's stage production of Kaufman and Hart's musical, I'd Rather Be Right. Farrell offers some dramatic readings from his role as President Franklin D. Roosevelt. This program also includes clips of FDR himself speaking.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The Academy Award-winning American actress talks with Studs about her one-woman show, Miss Margarida's Way, at the Goodman Theater.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The Saint Lucian poet and playwright joins Studs to talk about his staging of Mustapha Matura's Play Mas, at the Goodman Theatre.*Please note: some sections have been edited out from the original recording due to copyright considerations