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Showing 1921 - 1935 of 4394 results
  • Interviewing Mel Lazarus ; part 1

    Jun. 11, 1964
  • Interviewing Maurice Horn

    Sep. 17, 1976

    The French-American chronicler of comic books and comic strips joins Studs to discuss his anthology, The World Encyclopedia of Comics.*Please note: some sections have been edited out from the original recording due to copyright considerations 

  • Interviewing Matthew Spetter

    Feb. 22, 1964
  • Interviewing Mason Hoffenberg and Terry Southern

    Jun. 6, 1964
  • Interviewing Mary Springfels, musician-in-residence (viola da gamba) at the Newberry Library and Director of the Newberry Consort

    Apr. 14, 1980

    The Newberry Consort is the resident early music ensemble of the Newberry Library specializing in the music of the late Middle Ages.

  • Interviewing Mary Parparis, Cockney waitress, while Studs was in England ; part 1

    Nov. 1, 1962
  • Interviewing Mary Norris Lloyd ; part 1

    Mar. 8, 1962
  • Interviewing Marty Robinson as "Fireball Kozak" (On Track 1) and reading Ring Lardner's "Alibi Ike" with Lou Gilbert, Marty Robinson and Jim Unrath (on Track 2).

    Apr. 5, 1963

    reading Alibi Ike

  • Interviewing Martha Schlamme and Alvin Epstein

    Aug. 13, 1980
  • Interviewing Martha Schlamme ; part 1

    Feb. 4, 1958
  • Interviewing Martha Schlamme

    Mar. 24, 1958
  • Interviewing Martha [Weinman] Lear

    Nov. 3, 1963
  • Marlene Dietrich

    Interviewing Marlene Dietrich at McCormick Place.

    Nov. 30, 1960
  • Interviewing Mark Pearlberg, Wolcott, Stanley Kunitz, and Stephen Spender

    Nov. 7, 1989
  • Marian Anderson

    Interviewing Marian Anderson and James DePreist ; part 2

    1966

    Marion Anderson, soloist, and James DePreist, conductor, sit down with Studs Terkel prior to their Grand Park Weekend Concert where "Berjack Symphony No. 2 or 7" will be played with the 'Copland Preamble for Solemn Occasion" as well as a group of Negro Spirituals with "Ava Maria". Marian Anderson begins the interview by singing "Erlkonig" and concludes with "Ava Maria". She discusses the early influence of the first Negro arts singer, Roland Hayes had on her in Philadelphia and his "He Never Said a Mumberlin' Word" is played. Both Anderson and DePreist discuss how song becomes drama.

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