Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. Muhammad Ali discusses his book "The Greatest: My Own Story," touching on topics including his childhood and family, conversion to Islam, stance on the Vietnam War, and experiences in jail.

Mort Sahl the comedian discusses comedy, social satire, and humorists. He discusses the difference between sick humor and social commentary. He discusses politics in America. Includes a speech by humorist Will Rogers towards the end of the program.

Max Morath discusses his career, jazz music, and history.

Studs Terkel interviews Mary Lou Williams and her manager, Father Peter O'Brien. They discuss music, musicians, and instruments. Some clips of piano music playing at the end.

Marian McPartland discusses jazz music, her husband Jimmy McPartland, and her career.

Marian McPartland discusses her career, the role of women in jazz, and jazz music.

Lena Horne talks about her memories of Paul Robeson and Billie Holiday, how her skin color affected her career, and her relationship with her audience.

Jazz singer Kurt Elling discusses his musical influences, new and past music, and the path of his career.

Discussing African drums, African music, and John Chernoff's book "African Rhythm and African Sensibility" with John Chernoff and Eric Rucker. Includes John Chernoff and Eric Rucker playing the drums. Includes an earlier interview clip of two drummers battling from the island of Silan.

Presenting music with music producer (impresario) John Hammond. The following topics were discussed: various recordings; his encounters with famous jazz musicians; the first time he met Billie Holiday; the song "Strange Fruit"; improvisation; racial reform; Bessie Smith's death; and uniting rural and urban artists. The following musical excerpts were played and have been removed for copyright reasons: "7 Come 11"; "This Years Kisses"; "Lady Be Good"; "Young Woman's Blues"; "What More Can Jesus Do"; and "Piney Brown Blues".

Music producer John Hammond and jazz critic for Down Beat magazine John McDonough discuss: Hammond's career; the artists he worked with; the artists he was the first to sign; social reform; and more. The following musical excerpts are played: "7 Come 11"; "Sauce"; "Talking Union"; "Blowing In the Wind"; "Today I Sing The Blues"; and "Live Embers".

Bandleader, jazz musicologist and composer James Dapogny discusses his work in reviving the sound and art of jazz. Dapogny's work is mainly associated with his group James Dapogny's Chicago Jazz Band and his career in publishing lost works of Ferdinand "Jelly Roll" Morton.

Interviewing editor and Chicago Tribune jazz critic Jack Fuller.