Studs speaks to actress Peggy Nelson, playwright Arnaud d'Usseau, and student Olivier Bernier while he is in France. [Part 2 includes Yves Montand.]

Nelson Algren and Mario De Vecchi discuss the international appeal of Federico Fellini’s film, “La Dolce Vita.” In part one, Algren and Devecchi focus on the film’s main character, journalist Marcello Rubini, and his quest for identity, particularly in relation to his interactions with the film’s intellectual character, Steiner. They discuss the film’s key metaphorical images and its portrayal of the influence of media and the emotional detachment and dehumanization it can create.

Film critic John Simon and Studs Terkel discuss various movies, filmmaking techniques, and how film is a newer form of art. Terkel plays an audio clip from an interview he did he with Italian actor Marcello Mastroianni.

Film director King Vidor discusses his films, their themes, and where film was heading at the time of his interview with Studs Terkel. Columbia College’s Bob Edmonds joins them and further discusses Vidor’s work.

While riding in a cab, the driver talks about the narrow streets of London. He also talks about the traffic and why he believes traffic will only get worse in the future. Producer and director Karel Reisz explains how making films in England and America differ from how films are made Italy. Reisz also talks about the freedom of a director when making a film. With regards to viewership, according to Reisz, films are in 2nd place behind TV.