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Showing 1 - 7 of 7 results
  • Valentin Pluchek and Stanislaw Pchenikov discuss Russian theater, specifically Moscow ; part 1

    Jan. 19, 1962

    Studs Terkel interviews Valentin Pluchek and Stanislaw Pchenikov on Russia theater, focusing mainly on the city of Moscow.

  • Stanislaw Pchenikov and Valentin Nikolaevich Pluchek discuss theater with Studs Terkel ; part 2

    Jan. 19, 1962

    Studs Terkel discusses Russian theater with Stanislaw Pchenikov and Theater director Valentin Nikolaevich Pluchek.

  • Sir Geraint Evans and Peter Grimes

    Sir Geraint Evans discusses his career as an operatic performer

    Oct. 2, 1974

    Sir Geraint Evans discusses opera and his time as a performer. Includes an in-depth discussion of the opera Peter Grimes.

  • Jim Lasko, Blair Thomas and Clare Dolan discuss the Redmoon Theater of Chicago

    Jan. 25, 1995

    Discussing the Redmoon Theater of Chicago with co-founders Bill Lasko, Blair Thomas and Clare Dolan. Mr. Thomas and Ms. Dolan were also puppeteers in the theater. The actors talk about making the puppets their own characters and making them larger than life. Audiences are captivated by the puppets, who offer a sense of wonder, magic and fantasy.

  • Eva Le Gallienne

    Eva Le Gallienne discusses theater

    Feb. 1, 1965

    Eva Le Gallienne discusses and compares American theater and European theater. She also discusses different playwrights such as Henrik Johan Ipsen and Anton Chekhov.

  • Actor Victor Spinetti talks with Studs Terkel about "Oh, What A Lovely War!" ; part 2

    1962

    Part Two of this engrossing interview sees Spinetti elaborate on characters from Joan Littlewood's production of "Oh, What A Lovely War!" in England. Includes a reading of "The English Seaside in High Summer" and an a capella performance of the musical's Act I closer, "Good-bye-ee!", both by Spinetti.

  • Actor Victor Spinetti talks with Studs Terkel about "Oh, What A Lovely War!" ; part 1

    1962

    English actor, director and writer Victor Spinelli discusses several aspects of Joan Littlewood's production of "Oh, What A Lovely War!", including the origin of the songs, slides and quotations used in the musical. The two also discuss the World War War I, blind patriotism and what an Italian drill sergeant might sound like. Includes as a reading of "Watchers Along the Mall" by Spinetti.

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