Author Ross Miller discusses his latest work, which centers around Chicago and the aftermath of the Great Chicago Fire and its effects on rebuilding the metropolis and the advantages of gaining a new take on architecture and society.

Choir directors Richard Garrin and Catherine Roma of the Windy City Gay Chorus and the Cincinnati Women’s Chorus discuss the evolution of choral music within the gay, transgender and lesbian (LGBTQ) community.

Part 2 of celebrated fim critic Pauline Kael discussing her book "Kiss Kiss Bang Bang" as well as Laurence Olivier, Sidney Poitier, safe roles, older actors, distortion of women's contributions, and Lillian Hellman's frustrations.

Nora Ephron discusses the women’s movement and her book, “Crazy Salad: Some Things About Women.” Ephron discusses the influence of writer Dorothy Parker on her work, as well as topics including women’s rights; the exploitation of women in politics, war, and advertising; the many conflicts she faces in her role as a journalist; and traditional and non-traditional gender roles. Includes an excerpt from a previous interview with Dorothy Parker.

Nikolay Akimov, Theodore Komisarjevsky and Pavel Markov discuss the Soviet theater. The ending music on this record was edited out

Muriel Gardiner's background and her time spent in Austria are the topics of "Code Name 'Mary': Memoirs of an American Woman in the Austrian Underground". With her book, "The Deadly Innocents: Portraits of Children Who Kill," Gardiner studies the lives of 10 kids who kill or attempt to kill.

Studs Terkel talks with theater producer Herman Shumlin about Shumlin’s work in theater and some of the plays he has produced. This is the final part of the interview with Shumlin.

Studs Terkel talks with theater producer Herman Shumlin about Shumlin’s work in theater and some of the plays he has produced. Audio clips from the play “The Little Foxes” and the opera “Regina” are played. This is the first part of the interview with Shumlin.

Studs interviews David Diamond who is in Chicago for a concert at Thorn Hall. Diamond reflects on his family background and his exposure to diverse theater and movies of a variety of cultures that influenced his music. He explains his training and how he uses emotion and then structure to create his work. Studs and David discuss McCarthyism and its affect on performers and the personal affect it had in Diamond's life. The musical pieces are removed from this edited version of the original recording.