Peter Ustinov discusses his wide-ranging career in the arts as an actor, author, director, and dramatist.

Melvin Douglas and Frank Lovejoy discuss their roles in Gore Vidal's play "The Best Man", politics, and their careers.

Eva Le Gallienne discusses and compares American theater and European theater. She also discusses different playwrights such as Henrik Johan Ipsen and Anton Chekhov.

Every play is political and art isn’t easy, according to Edward Albee. People need to realize that going to the theatre is an arena of engagement rather than one of escapism, says Albee. Due to people’s lack of knowledge and self-awareness, we in society, we deserve everything bad that we get, are also part of Albee’s views.

Adapted by Peditto, the play, "Never Come Morning", is based on the Nelson Algren novel of the same title, a story about a man working his way out of a low-income neighborhood in Chicago. The cast discusses their familiarity with Algren’s work and how they found their way into this production. Studs and the cast of this production read through several of the scenes from the play. This program includes clips of interviews and performances of Nelson Algren that capture his storytelling abilities.

Claudia Cassidy discusses being a critic of theater and opera etc. Includes about 1.5 minutes of another interview.

Claudia Cassidy discusses being a critic of theater and opera etc. Cassidy also discusses her writing and journalism aspirations.

The cast of the play "The Hostage" discusses their production and theatre at large.

Stage director Alan Schneider talks about his work with playwrights, Samuel Beckett and Edward Albee. Plays include "Waiting for Godot," "A Delicate Balance," and "Whose Afraid of Virginia Woolf?"