Studs Terkel speaks with Charles Mingus about his life and work in the context of his autobiography "Beneath The Underdog".

Charles Delaunay, jazz expert, and André Réwéliotty, jazz musician, talk about Jazz. Sidney Bechet, mentor of André Réwéliotty, is discussed at length. The two also debate the popularity of classic jazz compared to modern jazz as the genre develops.

Terkel comments and presents the music of Chanticleer, an acapella ensemble, comprised of 12 all male voices. Chanticleer discusses the following: the group vocal composition; the groups history; various recordings; and their influences. Chanticleer performs the following songs live on air: "Benedicamus Domino", "If Ye Love Me", "O Sacrum Convivium", "Nude Descending a Staircase", "When I Fall in Love", "Jesus Met the Woman at the Well", and "Magnificat a 12".

Cathy Berberian reflects on the evolution of her avant-garde singing style and her work with various contemporary music composers. Includes an interview with John Cage. Content Warning: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.

Studs Terkel interviews opera singers, Carol Neblett and Richard Stillwell, as members appearing in the Lyric Opera production of "Don Giovanni". They discuss their characters, Elvira and Don. Carol Neblett and Richard Stillwell discuss their careers.

This interview features singer and actress Carol Channing which discusses: the film "Shinbone Alley"; production of "Lorelei"; her grandmother; and her career. It begins with a musical excerpt from the animated movie "Shinbone Alley" featuring Channing singing as the alley cat Mehitabel. It also includes excerpts from the Broadway production called "Lorelei", examples of her character acting/comedy (as Cecilia Sisson), her reading of "Madeline and other Bemelmans", and a portion of the song "So Long Dearie" from the play "Hello, Dolly!".

Carol Channing discusses the following with Studs Terkel: her early career; her growth as actor/comedian; her approach to her work; her performance in "Lorelei" as Lorelei; her performance in "Wonderful Town" as Ruth; the job of the understudy; and breaking performance barriers and type casting.

Carlotta Monti discusses W.C. Fields and her book "W.C. Fields & Me".

Studs interviews Carlo Curly, a RCA recording classical organist. Includes an interview from two years earlier with Curly giving a commentary about Virgil Fox, his greatest influence. Curly describes his family background in music. He explains in great detail the history of the organ, how it is made, and the music written for it. He explains the difference in music between pipe organs and electronic organs. Curly talks about his experience playing in Japan. He speaks of Bach and Mendelson and their influence on the organ as a classical instrument.

Burl Ives, actor and singer, discusses his life including childhood, schooling, early career, married life and some of his most popular songs. Ives also talks about his books and writing.

Burl Ives was born in Jasper County, IL and he attended Eastern Illinois State Teachers College. While in college, he played some football and then he wanted to become a football coach. Ives spent time in Terre Haute, IN, where he played records and sang songs on the radio. To be a great singer, Ives said he knew he had to add dramatization to certain songs.

Studs Terkel interviews Buffy Sainte-Marie in a two part interview.

Studs Terkel interviews Buffy Sainte-Marie in a two part interview.

Brownie McGhee and Sonny Terry discuss blues music, their backgrounds, and their nearly twenty year collaboration. The duo perform several songs during the interview, including: 00:03:32-00:07:32 "Cornbread, Peas, and Black Molasses" 00:08:50-00:11:50 "Climbing on Top of the Hill" 00:12:35-00:14:30 "Uncle Bud" 00:17:39-00:20:49 unknown song 00:25:16-00:28:15 "That's How I Feel" 00:29:23-00:32:02 unknown song