Using a Trobriand drum and harmonica, Ella Jenkins plays examples of call and response music with Studs. A few of her popular songs play between their discussion. Ella explains how her music came to be from the Chicago neighborhood streets with influences from her Uncle and other blues and folk musicians. Songs played include "Tahboo," "Miss Mary Mack," "You'll Sing a Song and I'll Sing a Song," "Come Dance By the Ocean," and "Dulce." Songs have been removed due to copyright restrictions.

Using past recordings, Ella discusses how she works with children to help them find their rhythms using call and response music and percussion. She explains the West African and Latin music influences within her own music. Music played includes Jenkins' own music such as "Miss Mary Mack," "Tahboo," and "Where Has My Little Dog Gone?" She also plays song written by Carl Orff and performed by the Chorus of the Children's Opera Group, such s "Pat-a-Cake," and "Name-Calling." Untitled West African music is also played. Music has been removed due to copyright restrictions.

According to Elisabeth Schwarzkopf, at a young age, she first started to play the piano and viola before she studied singing. Madame Schwarzkopf explained the importance of being able to play different roles. With regards to luck, Schwarzkopf says it happens only once, when one finds the right teacher. All the rest, explains Schwarzkopf is hard work.

Studs Terkel talks with Elisabeth about her career in opera. She discusses her thoughts of her overall career.

Studs Terkel discusses with Elizabet her her role as The Marschallin in Der Rosenkavalier. This interview is done in three parts.

Studs Terkel discusses with Elizabeth her her role as The Marschallin in Der Rosenkavalier. This interview is done in three parts.

Interviewing soprano Elisabeth Schwarzkopf.

Terkel comments and presents a eulogy for three non-adjusted men. Broonzy, Big Bill ; Ciardi, John ; Redfield, Robert

Elaine Rosenberg discusses the life and career of Edith Piaf.

Edith Wilson talks about her singing and acting career in California and throughout the states. Songs have been removed due to copyright restrictions.

Studs and Mr. Blackwood discuss his musical theory of tonal composition, and Mr. Blackwood plays several excerpts of his piece "Chamber Work for Fourteen Winds" on the piano.

The program begins with an excerpt from BBC Radio about a hoax piece of music by Pietorzac (Hans Keller). Hans Keller and a friend went into studio and made noise and presented it as music. In this round table discussion the three gentlemen - all composers, musicians, and educators, discuss with Studs, contemporary music and the standards for defining a composition as music. In the second hour, they discuss what level of knowledge of music a critic should have in order to form a proper opinion of music. All animatedly offer their opinion to both the pro's and the cons.

In this round table discussion the three gentlemen - all composers, musicians, and educators - discuss with Studs contemporary music and the standards for defining a composition in music. In the second hour they discuss what level of knowledge of music a critic should have in order to form a proper opinion of music. All animatedly offer their opinion to both the pro and the con. A movement of both Blackwood and Shapey compositions is played.

Presenting music published by Chicago record label Cedille Records including the music of composer and pianist Easley Blackwood along with David Schrader and Ramon Salvatore.