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Film director Martin Scorsese and screenwriter Paul Schrader discuss their movie “Taxi Driver,” including interview from 9:04 - 9:49 of Scorsese discussing the character, Johnny Boy, from his film "Mean Streets."
Marian Anderson recalls singing on stage for the first time at the Metropolitan Opera House in 1957 and how it was the realization of a dream come true. Marion's nephew, James DePreist remembers being able to conduct a piece of music he had never conducted before because his aunt Marion had exposed him to it when he was a child. James said when his aunt Marion sung spirituals, he couldn't help but feel religious and he's an atheist.
American-British actress Margaret Webster, talks about the unsophisticated audience members that go to see plays by Shakespeare. Upon seeing a play, they're afraid to go at first but once they are there, they realize how much they are truly enjoying themselves.
Discussing the showing of his films with film maker Marcel Ophuls.
Discussing the movie "Return of the Secaucus seven" with Maggie Renzi and John Sayles.
Discussing his play "Orphans" and the Imagination Workshop with playwright, director and Imagination founder Lyle Kessler. The Imagination Workshop is a non-profit theater group that brings together professional artists and "at risk" children, the mentall
The originator of the Roots ‘N’ Blues series and Grammy winner and nominee Lawrence Cohn discusses his latest work which focuses on the life and times of blues and the musicians that helped the genre become what it is today.
Terkel interviews Jonathan Miller about Shakespeare theater with some comparisons between American and English theater. They also talk a great deal about American drama, actors, and theater.
Jonathan Miller discusses English society and class post WW2 and his TV movie Alice in Wonderland; part 2.
Jonathan Miller discusses English society and class post WW2 and his TV movie Alice in Wonderland; part 1.
Jonathan Kozol discusses his book "Illiterate America." Includes an interview of a black teenager student named Jimmy.
Interviewing Shakespearean actor and director John Neville. Program includes an excerpt of a 1958 interview with Neville (T2299).
Director John Hirsch discusses and analyzes his interpretation of Shakespeare’s “Hamlet” with Studs Terkel during a party for the Stratford Theater Company. Hirsch calls “Hamlet” a pessimistic play, commenting on Shakespeare’s depiction of society and the nature of the characters. He also says that the play’s complexities allow for several interpretations and understandings of the work, which contributes to his bare and simple production of Hamlet. The two discuss Hirsch’s production of “Mother Courage” and how current events and personal experiences influence Hirsch’s work.