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Showing 61 - 75 of 242 results
  • Mike Nichols and Elaine May discuss their acting careers

    May. 29, 1958
  • Michael Tolaydo in conversation with Studs Terkel

    Feb. 11, 1980
  • Martin Scorsese & Paul Schrader

    Martin Scorsese and screenwriter Paul Schrader discuss their movie “Taxi Driver"

    Feb. 12, 1976

    Film director Martin Scorsese and screenwriter Paul Schrader discuss their movie “Taxi Driver,” including interview from 9:04 - 9:49 of Scorsese discussing the character, Johnny Boy, from his film "Mean Streets."

  • Marian Anderson

    Marian Anderson and James DePreist discuss their experiences in music ; part 1

    1966

    Marian Anderson recalls singing on stage for the first time at the Metropolitan Opera House in 1957 and how it was the realization of a dream come true. Marion's nephew, James DePreist remembers being able to conduct a piece of music he had never conducted before because his aunt Marion had exposed him to it when he was a child. James said when his aunt Marion sung spirituals, he couldn't help but feel religious and he's an atheist.

  • Margaret Webster discusses Shakespeare and his plays

    Apr. 21, 1961

    American-British actress Margaret Webster, talks about the unsophisticated audience members that go to see plays by Shakespeare. Upon seeing a play, they're afraid to go at first but once they are there, they realize how much they are truly enjoying themselves.

  • Marcel Ophuls discusses his documentary films

    Apr. 30, 1984

    Discussing the showing of his films with film maker Marcel Ophuls.

  • Maggie Renzi and John Sayles discuss the movie "Return of the Seacaucus Seven"

    Feb. 1, 1981

    Discussing the movie "Return of the Secaucus seven" with Maggie Renzi and John Sayles.

  • Lyle Kessler in conversation with Studs Terkel

    Feb. 7, 1985

    Discussing his play "Orphans" and the Imagination Workshop with playwright, director and Imagination founder Lyle Kessler. The Imagination Workshop is a non-profit theater group that brings together professional artists and "at risk" children, the mentall

  • Lawrence Cohn discusses his book Nothing But the Blues: The Music and Musicians

    Dec. 20, 1993

    The originator of the Roots ‘N’ Blues series and Grammy winner and nominee Lawrence Cohn discusses his latest work which focuses on the life and times of blues and the musicians that helped the genre become what it is today.

  • Jonathan Miller discusses theater

    1969

    Terkel interviews Jonathan Miller about Shakespeare theater with some comparisons between American and English theater. They also talk a great deal about American drama, actors, and theater.

  • Jonathan Miller

    Jonathan Miller discusses English society and class and Alice in Wonderland; part 2

    Feb. 5, 1968

    Jonathan Miller discusses English society and class post WW2 and his TV movie Alice in Wonderland; part 2.

  • Jonathan Miller

    Jonathan Miller discusses English society and class and Alice in Wonderland; part 1

    Feb. 5, 1968

    Jonathan Miller discusses English society and class post WW2 and his TV movie Alice in Wonderland; part 1.

  • Jonathan Kozol

    Jonathan Kozol discusses his book "Illiterate America"

    Dec. 1, 1985

    Jonathan Kozol discusses his book "Illiterate America." Includes an interview of a black teenager student named Jimmy.

  • John Neville in conversation with Studs Terkel

    Nov. 28, 1988

    Interviewing Shakespearean actor and director John Neville. Program includes an excerpt of a 1958 interview with Neville (T2299).

  • John Hirsch discusses his production of "Hamlet"

    Jan. 1, 1969

    Director John Hirsch discusses and analyzes his interpretation of Shakespeare’s “Hamlet” with Studs Terkel during a party for the Stratford Theater Company. Hirsch calls “Hamlet” a pessimistic play, commenting on Shakespeare’s depiction of society and the nature of the characters. He also says that the play’s complexities allow for several interpretations and understandings of the work, which contributes to his bare and simple production of Hamlet. The two discuss Hirsch’s production of “Mother Courage” and how current events and personal experiences influence Hirsch’s work.

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